Blog
The Mughal Empire, (Persian: امپراتوری مغول, self-designation Gurkānī, Persian: گوركانى, which was also the self-designation of the Timurids in Central Asia and Khorasan) was an empire that at its greatest territorial extent ruled most of the Indian subcontinent, then known as Hindustan, and parts of what is now Afghanistan and western Pakistan (Balochistan), between 1526 and 1707. The empire was founded by the Timurid leader Babur in 1526, when he defeated Ibrahim Lodi, the last of the Delhi Sultans at the First Battle of Panipat. «Mughal» is the Persian word for «Mongol». The Mughal rulers were adherents of Islam.The territory was largely conquered by the Pashtun Sher Shah Suri during the time of Humayun, the second Mughal ruler, but under Akbar the Great it grew considerably, and continued to grow until the end of Aurangzeb's rule. Jahangir, the son of Mughal Emperor Akbar and Rajput princess Mariam-uz-Zamani, ruled the empire from 1605-1627. In October 1627, Shah Jahan, the son of Mughal Emperor Jahangir and Rajput princess Manmati, succeeded to the throne, where he inherited a vast and rich empire in India; and at mid-century this was perhaps the greatest empire in the world. Shah Jahan commissioned the famous Taj Mahal (between 1630-1653), in Agra as a memorial of his wife Mumtaz Mahal.By 1710, the empire had reached its zenith with a territory spanning 750 million acres or ninety-percent of South Asia. The Mughals faced stiff resistance from the Marathas, and after Aurangzeb died in 1707, the empire started to decline in actual power, giving way to the rise of the Hindu Maratha Empire. The Mughals however managed to maintain some trappings of power in India for another 150 years. In 1739 they were defeated by an army from Persia led by Nadir Shah. In 1756 an army of Ahmed Shah Abdali took Delhi again. The British Empire finally dissolved the Mughal Empire in 1857, immediately prior to which it existed only at the sufferance of the British East India Company.ReligionThe Mughal ruling class were Muslims, although most of the subjects of the Empire were Hindu. Although Babur founded the Empire, the dynasty remained unstable (and was even exiled) until the reign of Akbar, who was not only of liberal disposition but also intimately acquainted, since birth, with the mores and traditions of India. Under Akbar's rule, the court abolished the jizya (the poll-tax on non-Muslims) and abandoned use of the lunar Muslim calendar in favor of a solar calendar more useful for agriculture. One of Akbar's most unusual ideas regarding religion was Din-i-Ilahi («Faith-of-God» in English), which was an eclectic mix of Hinduism, versions of Sufi Islam, Zoroastrianism and Christianity. It was proclaimed the state religion until his death. These actions however met with stiff opposition from the Muslim clergy. The Mughal emperor Akbar is remembered as tolerant, at least by the standards of the day: only one major massacre was recorded during his long reign (1542-1605), when he ordered most of the captured inhabitants of a fort be slain on 24 February 1568, after the battle for Chitor. Akbar's acceptance of other religions and toleration of their public worship, his abolition of poll-tax on non-Muslims, and his interest in other faiths bespeak an attitude of considerable religious tolerance. On the other hand, they also indicated a propensity for free-thinking in the realm of religion that finally led him to complete apostasy. Its high points were the formal declaration of his own infallibility in all matters of religious doctrine, his promulgation of a new creed, and his adoption of Hindu and Zoroastrian festivals and practices.Religious orthodoxy would only play a truly important role during the reign of Aurangzeb Ālamgīr, a devout Muslim and the strongest military commander of the Mughal line; this last of the Great Mughals retracted some of the liberal policies of his forbears.Political economyThe Mughals used the mansabdar system to generate land revenue. The emperor would grant revenue rights to a mansabdar in exchange for promises of soldiers in war-time. The greater the size of the land the emperor granted, the greater the number of soldiers the mansabdar had to promise. The mansab was both revocable and non-hereditary; this gave the center a fairly large degree of control over the mansabdars.The Great Mughal EmperorsEmperor...................Name............Reign start - Reign endBabur..........Zahiruddin Mohammed.........1526-1530Humayun.....Nasiruddin Mohammed.........1530-1540Interregnum*..........................................1540-1555Humayun.....Nasiruddin Mohammed.........1555-1556Akbar..........Jalaluddin Mohammed..........1556-1605Jahangir.......Nuruddin Mohammed...........1605-1627Shah Jahan...Shahabuddin Mohammed......1627-1658Aurangzeb...Moinuddin Mohammed..........1658-1707HumayunWhen Babur died, his son Humayun (1530-1556) inherited a difficult task. He was pressed from all sides by a reassertion of Afghan claims to the Delhi throne and by disputes over his own succession. Driven into Sindh by the armies of Sher Shah Suri, in 1540 he fled to Persia, where he spent nearly ten years as an embarrassed guest of the Safavid court of Shah Tahmasp. During Sher Shah's reign, an imperial unification and administrative framework were established; this would be further developed by Akbar later in the century. In addition the tomb of Sher Shah Suri is an architectural masterpiece that was to have a profound impact on the evolution of Indo-Islamic funerary architecture. In 1545, Humayun gained a foothold in Kabul with Safavid assistance and reasserted his Indian claims, a task facilitated by the weakening of Afghan power in the area after the death of Sher Shah Suri in May 1545. He took control of Delhi in 1555, but died within six months of his return, from a fall down the steps of his library. His tomb at Delhi represents an outstanding landmark in the development and refinement of the Mughal style. It was designed in 1564, eight years after his death, as a mark of devotion by his widow, Haji Begum.AkbarThe main Gate of the Agra FortHumayun's untimely death in 1556 left the task of conquest and imperial consolidation to his thirteen-year-old son, Jalal-ud-Din Akbar (r.1556-1605). Following a decisive military victory at the Second Battle of Panipat in 1556, the regent Bayram Khan pursued a vigorous policy of expansion on Akbar's behalf. As soon as Akbar came of age, he began to free himself from the influences of overbearing ministers, court factions, and harem intrigues, and demonstrated his own capacity for judgment and leadership. A workaholic who seldom slept more than three hours a night, he personally oversaw the implementation of his administrative policies, which were to form the backbone of the Mughal Empire for more than 200 years. He continued to conquer, annex, and consolidate a far-flung territory bounded by Kabul in the northwest, Kashmir in the north, Bengal in the east, and beyond the Narmada River in central India.Akbar built a walled capital called Fatehpur Sikri (Fatehpur means «town of victory») near Agra, starting in 1571. Palaces for each of Akbar's senior queens, a huge artificial lake, and sumptuous water-filled courtyards were built there. However, the city was soon abandoned and the capital was moved to Lahore in 1585. The reason may have been that the water supply in Fatehpur Sikri was insufficient or of poor quality; or, as some historians believe, that Akbar had to attend to the northwest areas of his empire and therefore moved his capital northwest. In 1599, Akbar shifted his capital back to Agra from where he reigned until his death.Akbar adopted two distinct but effective approaches in administering a large territory and incorporating various ethnic groups into the service of his realm. In 1580 he obtained local revenue statistics for the previous decade in order to understand details of productivity and price fluctuation of different crops. Aided by Todar Mal, a Hindu scholar, Akbar issued a revenue schedule that optimised the revenue needs of the state with the ability of the peasantry to pay. Revenue demands, fixed according to local conventions of cultivation and quality of soil, ranged from one-third to one-half of the crop and were paid in cash. Akbar relied heavily on land-holding zamindars to act as revenue-collectors. They used their considerable local knowledge and influence to collect revenue and to transfer it to the treasury, keeping a portion in return for services rendered. Within his administrative system, the warrior aristocracy (mansabdars) held ranks (mansabs) expressed in numbers of troops, and indicating pay, armed contingents, and obligations. The warrior aristocracy was generally paid from revenues of nonhereditary and transferable jagirs (revenue villages).An astute ruler who genuinely appreciated the challenges of administering so vast an empire, Akbar introduced a policy of reconciliation and assimilation of Hindus (including Jodhabai, later renamed Mariam-uz-Zamani Begum, the Hindu mother of his son and heir, Jahangir), who represented the majority of the population. He recruited and rewarded Hindu chiefs with the highest ranks in government; encouraged intermarriages between Mughal and Rajput aristocracy; allowed new temples to be built; personally participated in celebrating Hindu festivals such as Deepavali, or Diwali, the festival of lights; and abolished the jizya (poll tax) imposed on non-Muslims. Akbar came up with his own theory of «rulership as a divine illumination», enshrined in his new religion Din-i-Ilahi (Divine Faith), incorporating the principle of acceptance of all religions and sects. He encouraged widow re-marriage, discouraged child marriage, outlawed the practice of sati, and persuaded Delhi merchants to set up special market days for women, who otherwise were secluded at home.By the end of Akbar's reign, the Mughal Empire extended throughout north India even south of the Narmada river. Notable exceptions were Gondwana in central India, which paid tribute to the Mughals, Assam in the northeast, and large parts of the Deccan. The area south of the Godavari river remained entirely out of the ambit of the Mughals. In 1600, Akbar's Mughal empire had a revenue of £17.5 million. By comparison, in 1800, the entire treasury of Great Britain totalled £16 million.Akbar's empire supported vibrant intellectual and cultural life. The large imperial library included books in Hindi, Persian, Greek, Kashmiri, English, and Arabic, such as the Shahnameh, Bhagavata Purana and the Bible. Akbar regularly sponsored debates and dialogues among religious and intellectual figures with differing views, and he welcomed Jesuit missionaries from Goa to his court. Akbar directed the creation of the Hamzanama, an artistic masterpiece that included 1400 large paintings. Architecture flourished during the reign of Humayun's son Akbar. One of the first major building projects was the construction of a huge fort at Agra. The massive sandstone ramparts of the Red Fort are another impressive achievement. The most ambitious architectural exercise of Akbar, and one of the most glorious examples of Indo-Islamic architecture, was the creation of an entirely new capital city at Fatehpur Sikri.JahangirThe Hiran Minar, a tribute to Jahangir's favourite antelope. It is located in SheikhupuraAfter the death of Akbar in 1605, his son, Prince Salim, ascended the throne and assumed the title of Jahangir, «Seizer of the World». He was assisted in his artistic attempts by his able wife, Nur Jahan. The Mausoleum of Akbar at Sikandra, outside Agra, represents a major turning point in Mughal history, as the sandstone compositions of Akbar were adapted by his successors into opulent marble masterpieces. Jahangir is the central figure in the development of the Mughal garden. The most famous of his gardens is the Shalimar Bagh on the banks of Lake Dal in Kashmir.Mughal rule under Jahangir (1605-1627) and Shah Jahan (1628-1658) was noted for political stability, brisk economic activity, beautiful paintings, and monumental buildings. Jahangir married a Persian princess whom he renamed Nur Jahan (Light of the World), who emerged as the most powerful individual in the court besides the emperor. As a result, Persian poets, artists, scholars, and officers--including her own family members - lured by the Mughal court's brilliance and luxury, found asylum in India. The number of unproductive officers mushroomed, as did corruption, while the excessive Persian representation upset the delicate balance of impartiality at the court. Jahangir liked Hindu festivals but promoted mass conversion to Islam; he persecuted the followers of Jainism and even executed Guru Arjun Dev, the fifth saint-teacher of the Sikhs in 1606 for refusing to make changes to the Guru Granth Sahib (the Sikh holy book). The execution was not entirely for religious reasons; Guru Arjun Dev Ji supported Prince Khusro, another contestant to the Mughul throne in the civil war that developed after Akbar's death. Nur Jahan's abortive efforts to secure the throne for the prince of her choice led Shah Jahan to rebel against Jahangir in 1622. In that same year, the Persians took over Kandahar in southern Afghanistan, an event that struck a serious blow to Mughal prestige. Jahangir also had the Tuzak-i-Jahangiri composed as a record of his reign.Shah JahanThe Taj Mahal is the most famous monument built during Mughal ruleJahangir's son Prince Khurram ascended the throne in 1628 as Emperor Shah Jahan. Between 1636 and 1646, Shah Jahan sent Mughal armies to conquer the Deccan and the lands to the northwest of the empire, beyond the Khyber Pass. Even though they aptly demonstrated Mughal military strength, these campaigns drained the imperial treasury. As the state became a huge military machine, causing the nobles and their contingents to multiply almost fourfold, the demands for revenue from the peasantry were greatly increased. Political unification and maintenance of law and order over wide areas encouraged the emergence of large centers of commerce and crafts - such as Lahore, Delhi, Agra, and Ahmadabad - linked by roads and waterways to distant places and ports.However, Shah Jahan's reign is remembered more for monumental architectural achievements than anything else. The single most important architectural change was the use of marble instead of sandstone. He demolished the austere sandstone structures of Akbar in the Red Fort and replaced them with marble buildings such as the Diwan-i-Am (hall of public audience) , the Diwan-i-Khas (hall of private audience), and the Moti Masjid (Pearl Mosque). The tomb of Itmiad-ud-Daula, the grandfather of his queen, Mumtaz Mahal, was also constructed on the opposite bank of the Jumna. In 1638 he began to lay out the city of Shahjahanabad beside the Jamuna river further North in Delhi. The Red Fort at Delhi represents the pinnacle of centuries of experience in the construction of palace-forts. Outside the fort, he built the Jami Masjid, the largest mosque in India. However, it is for the Taj Mahal, which he built as a memorial to his beloved wife, Mumtaz Mahal, that he is most often remembered.Shah Jahan's extravagant architectural indulgence had a heavy price. The peasants had been impoverished by heavy taxes and by the time his son Aurangzeb ascended the throne, the empire was in a state of insolvency. As a result, opportunities for grand architectural projects were severely limited. This is most easily seen at the Bibi-ki-Maqbara, the tomb of Aurangzeb's wife, built in 1678. Though the design was inspired by the Taj Mahal, it is half its size, the proportions compressed and the detail clumsily executed.The Taj Mahal thus symbolizes both Mughal artistic achievement and excessive financial expenditures at a time when resources were shrinking. The economic positions of peasants and artisans did not improve because the administration failed to produce any lasting change in the existing social structure. There was no incentive for the revenue officials, whose concerns were primarily personal or familial gain, to generate resources independent of what was received from the Hindu zamindars and village leaders, who, due to self-interest and local dominance, did not hand over the entirety of the tax revenues to the imperial treasury. In their ever-greater dependence on land revenue, the Mughals unwittingly nurtured forces that eventually led to the break-up of their empire.The Reign of Aurangzeb and the Decline of the EmpireOne of the thirteen gates at the Lahore Fort, this one was built by Mughal Emperor Aurangzeb and named AlamgirThe last of the great Mughals was Aurangzeb Alamgir. During his fifty-year reign, the empire reached its greatest physical size but also showed unmistakable signs of decline. The bureaucracy had grown corrupt; the huge army used outdated weaponry and tactics. Aurangzeb restored Mughal military dominance and expanded power southward, at least for a while. Aurangzeb was involved in a series of protracted wars: against the Pathans in Afghanistan, the sultans of Bijapur and Golkonda in the Deccan, the Marathas in Maharashtra and the Ahoms in Assam. Peasant uprisings and revolts by local leaders became all too common, as did the conniving of the nobles to preserve their own status at the expense of a steadily weakening empire. From the early 1700s the campaigns of the Sikhs of Punjab under leaders such as Banda Bahadur, inspired by the martial teachings of their last Guru, Guru Gobind Singh, also posed a considerable threat to Mughal rule in Northern India.The increasing association of his government with Islam further drove a wedge between the ruler and his Hindu subjects. Contenders for the Mughal throne were many, and the reigns of Aurangzeb's successors were short-lived and filled with strife. The Mughal Empire experienced dramatic reverses as regional nawabs or governors broke away and founded independent kingdoms. In the war of 27 years from 1680 to 1707, the Mughals suffered several heavy defeats at the hands of the Marathas. They had to make peace with the Maratha armies, and Persian and Afghan armies invaded Delhi, carrying away many treasures, including the Peacock Throne in 1739.Successors - «The Lesser Mughals»Bahadur Shah I (Shah Alam I), b. 14 October 1643 at Burhanpur, ruler from 1707-1712, d. February 1712 in Lahore.Jahandar Shah, b. 1664, ruler from 1712-1713, d. February 11, 1713 in Delhi.Furrukhsiyar (b.1683, r.1713-1719, d.1719 at Delhi).Rafi Ul-Darjat, ruler 1719, d. 1719 in Delhi.Rafi Ud-Daulat (Shah Jahan II), ruler 1719, d. 1719 in Delhi.Nikusiyar, ruler 1719, d. 1719 in Delhi.Mohammed Ibrahim, ruler 1720, d. 1720 in Delhi.Mohammed Shah, b. 1702, ruler from 1719-1720, 1720-1748, d. 26 April 1748 in Delhi.Ahmad Shah Bahadur, b. 1725, ruler from 1748-1754, d. January 1775 in Delhi.Alamgir II, b. 1699, ruler from 1754-1759, d. 1759.Shah Jahan III, ruler 1760Shah Alam II, b. 1728, ruler from 1759-1806, d. 1806.Akbar Shah II, b. 1760, ruler from 1806-1837, d. 1837.Bahadur Shah II aka Bahadur Shah Zafar, b. 1775 in Delhi, ruler from 1837-1857, d. 1862 in exile in Rangoon, Burma.Present-day descendants: A few descendants of the last Mughal Emperor, Bahadur Shah Zafar, are known to be living in Delhi, Kolkata, and Hyderabad. The majority of direct descendants still carry the clan name Temur with four major branches today: Shokohane-Temur (Shokoh), Shahane-Temur (Shah), Bakshane-Temur (Baksh) and Salatine-Temur (Sultan). There is also a line of direct descendants who carry the name «Mirza», who now live in various areas of the world. Many claim direct descendants to the mughal empire, but few have the historical data to prove their claims.Descendants of the Mughals in Hyderabad, India: The Living Mughals is the story of four lost generations of the Mughal dynasty after Bahadur Shah Zafar. Arijeet Gupta's film unearths the direct descendants of the dynasty who now live in Hyderabad and have been lost in the mists of time.The main protagonist of the film is the Hyderabad-based Begum Laila Umahani, the direct descendant of Bahadur Shah Zafar from his first wife Ashraf Mahal. Apart from Ashraf Mahal, Zafar had three more wives - Akhtar Mahal, Zeenat Mahal and Taj Mahal.The film dwells on the family history of the four succeeding generations. Zafar's son, Mirza Quaiush, his son Mirza Abdullah followed by his son Mirza Pyare and his daughter, the present Begum Laila Umahani who lives in Hyderabad with her eight grown up children and grandchildren.Gupta says that extensive research has gone into the making of The Living Mughals. The big breakthrough came when he picked up the first lead. Research confirmed that Mirza Quaiush was the only one among the 22 sons of Bahadur Shah Zafar who managed to escape from the British and flee to Kathmandu.He lived the life of a fugitive seeking refuge with rulers of Udaipur and Aurangabad. His son Mirza Abdullah also lived a part of his life as a fugitive before settling down in Hyderabad.In fact, Hyderabad proved to be a double blessing for Mirza Abdullah. He received both moral and material help from the Nizam and his son Mirza Pyare was born soon after he settled here.Like his father, Mirza Pyare too benefited immensely by his association with Hyderabad's royal family. He married Habeeb Begum from the family of the sixth Nizam. In 1914 a daughter was born to them who was christened Begum Laila Umahani. Today she is the only surviving member of the fourth generation of Mughals.The most interesting part of the film is devoted to the 88-year-old Begum who lives in a rented house in Asmangadh in Hyderabad along with her sons and grandchildren - the fifth and sixth generation of Zafar.Incidentally, Begum Laila Umahani has four sons and four daughters. These descendants of the Mughal dynasty that ruled India for 332 years are now a lower-middle class family. For the last 40 years the Begum has not visited Delhi which was once the headquarter of the mighty Mughal empire.Mughal influence on the SubcontinentThe Badshahi Mosque (King's mosque) was built by the Mughal emperor Aurangzeb in LahoreThe main mughal contribution to the south Asia was their unique architecture. Many monuments were built during the mughal era including the Taj Mahal. The first Mughal emperor Babur wrote in the Bāburnāma: «Hindustan is a place of little charm. There is no beauty in its people, no graceful social intercourse, no poetic talent or understanding, no etiquette, nobility or manliness. The arts and crafts have no harmony or symmetry. There are no good horses, meat, grapes, melons or other fruit. There is no ice, cold water, good food or bread in the markets. There are no baths and no madrasas. There are no candles, torches or candlesticks.»Fortunately his successors, with fewer memories of the Central Asian homeland he pined for, took a less jaundiced view of Indian culture, and became more or less naturalised, absorbing many Indian traits and customs along the way. The Mughal period would see a more fruitful blending of Indian, Iranian and Central Asian artistic, intellectual and literary traditions than any other in Indian history. The Mughals had taste for the fine things in life - for beautifully designed artifacts and the enjoyment and appreciation of cultural activities. However, the Hindus of India provided the Mughals with a richer philosophy and the plentiful spices which were incorporated into modern Indian life. While the Mughals' superior position may have been appreciated, in reality, they probably borrowed as much as they gave. However, it could not be doubted that they introduced many changes to Indian society and culture, including:Centralised government which brought together many smaller kingdomsPersian art and culture amalgamated with native Indian art and cultureStarted new trade routes to Arab and Turk landsMughali cuisineUrdu and Hindi languages were formed for common Muslims and Hindus respectivelyA new style of architectureLandscape gardeningThe remarkable flowering of art and architecture under the Mughals is due to several factors. The empire itself provided a secure framework within which artistic genius could flourish, and it commanded wealth and resources unparalleled in Indian history. The Mughal rulers themselves were extraordinary patrons of art, whose intellectual calibre and cultural outlook was expressed in the most refined taste.
Коментари: 0 Разглеждани: 789 Група: History of Indi...
Vedic CultureVedic civilization is the earliest civilization in Indian history of which we have written records that we understand. It is named after the Vedas, the early literature of the Hindu people. The Vedic Civilization flourished along the river Saraswati, in a region that now consists of the modern Indian states of Haryana and Punjab. The Vedic texts have astronomical dates, that some have claimed, go back to the 5-th millennium BC. The use of Vedic Sanskrit continued up to the 6th century BC. Vedic is synonymous with Aryans and Hinduism, which is another name for religious and spiritual thought that has evolved from the Vedas.The early Aryans: Unfortunately, the origin of the Saraswati Valley civilization (Vedic culture) and its relation to the Indus Valley civilization remain hazy. The timeline of Vedic civilization is 4500 BC-1800 BC while that of Indus valley civilization is 3300 BC-1800 BC. The texts describe a geography that some believe to be north India. The greatest river of the Rigveda was Saraswati, now dry and identified with Ghaggar, a seasonal river. It is believed that this river ceased to reach the Arabian Sea by about 1900 BC. Now, a dry river bed, that seems to fit the description of the Saraswati River, has been detected by satellite imagery. It begins in the modern Indian state of Uttaranchal and passing through Haryana, Punjab, and Rajasthan, reaches the Arabian Sea in Gujarat. Our knowledge of the early Aryans comes from the Rigveda, the earliest of the Vedas.Political organization: The grama (village), vis and jana were political units of the early Aryans. A vis was probably a subdivision of a jana and a grama was probably a smaller unit than the other two. The leader of a grama was called gramani and that of a vis was called vispati. Another unit was the gana whose head was a jyeshta (elder). The rashtra (state) was governed by a rajan (king). The king is often referred to as gopa (protector) and samrat (supreme ruler). He governed the people with their consent and approval. It is possible that he was sometimes elected. The sabha and samiti were popular councils. The main duty of the king was to protect the tribe. He was aided by two functionaries, the purohita (chaplain) and the senani (army chief; sena: army). The former not only gave advice to the ruler but also practiced spells and charms for success in war. Soldiers on foot (patti) and on chariots (rathins), armed with bow and arrow were common. The king employed spasa (spies) and dutas (messengers). He often got a ceremonial gift, bali, from the people.Society and economy: Rig Vedic society was characterized by a nomadic lifestyle with cattle rearing being the chief occupation. The Aryans kept hordes of cattle and cows were held in high esteem. Milk was an important part of the diet. Agriculture was equally important and went hand in hand with cattle rearing. It grew more prominent with time as the community settled down. The cow was also the standard unit of barter; coins were not used in this period. Families were patrilineal, and people prayed for abundance of sons. Education of women was not neglected, and some even composed Rig Vedic hymns. Marriage for love as well as for money was known. The concept of caste and hereditary nature of profession was unknown to the early Aryans. The food of the early Aryans consisted of parched grain and cakes, milk and milk products, and fruits and vegetables. Consumption of meat was common. A passage in the Rig Veda describes how to apportion the meat of a sacrificed horse. It must be borne in mind that vegetarianism took firm root in India only after the rise of Buddhism in the sixth century BC.Literature and ReligionVedic or Hindu literature consists primarily of the Vedas; but also includes Shruti and various Smriti texts. The Vedic rites were meant to help the participant transform; this was primarily accomplished via sacrifices (such as the agnihotra).Astronomical references in the Vedas help provide some broad approximations that help date the beginning of the tradition. Due to the precession of the equinoxes, the seasons shift with relation to the fixed zodiac at a rate of about a month every two thousand years. Some Vedic notices mark the beginning of the year at the vernal equinox in Orion; this was the case around 4500 BC.The rishis saw the universe as going through unceasing change in a cycle of birth and death, free and yet, paradoxically, governed by order. This order was reflected in the bandhu (connections) between the planets, the elements of the body, and the mind. At the deepest level, the whole universe was bound to, and reflected in, the individual consciousness.The place of sacrifice represents the cosmos. The three fires used stand for the three divisions of space. The course of the sacrifice represents the year, and all such ritual forms part of continuing annual performances. The rite culminates in the ritual rebirth of the yajamana (sacrificer), which signifies the regeneration of his universe. It is sacred theatre, built upon paradoxes of reality, where symbolic deaths of animals and humans, including the yajamana himself, may be enacted.The Vedic gods represent the cognitive centers of the self. Vedic science is the science of consciousness. These have evolved into the Hindu paths of Yoga and Vedanta, which is a religious path that is the 'essence' of the Vedas.The Vedic pantheon is considered to consist of thirty-three different gods, which are placed, in groups of eleven, into one of the three different categories: atmospheric, terrestrial, or celestial, each of which has its own area of responsibility. But just because a god is in one category does not mean that it is completely different from a god from another category; for sometimes a god from one category will have some of the same qualities of a god from another category. This is because the Vedic system is recursive. It has developed into a broader group but it is also seen in Vedic philosophy that they are manifestations of one divine ground known as Brahman. This thought of unity is expressed severally in Vedic texts.The categories of the gods are: 1) Agni, terrestrial; 2) Indra, atmospheric; and 3) Surya or Vishnu, celestial that mirrors the body, prana, and atman division of the individual. Since one aspires to reach the inner being through the prana (atmosphere), many Vedic hymns extol Indra.The Vedic or Hindu religion presents a unitary view of the universe with God seen as immanent and transcendent in the forms of Ishvara and Brahman, respectively. Brahman is projected into various deities in the human mind. The main deities were Indra, Varuna, Surya (the Sun), Mitra, Vayu, Agni and Soma. Goddesses included Prithvi, Aditi, Ushas and Saraswati. Deities were not viewed as all-powerful. The relationship between the devotee and the deity was one of transaction. Each deity had a specific role; at any given point, a particular deity was considered superior to the others.The mode of worship was performance of sacrifices and chanting of verses. The priests helped the common man in performing rituals. People prayed for abundance of children, cattle and wealth.Later Vedic period: The transition from the early to the later Vedic period was marked by the emergence of agriculture as the dominant economic activity and a corresponding decline in the significance of cattle rearing. Several changes went hand in hand with this. For instance, several large kingdoms arose because of the increasing importance of land and its protection.Kingdoms: Several small kingdoms merged to form a few large ones which were often at war with each other. 16 mahajanapadas (great kingdoms) are referred to in some of the literature. By this time the Aryan tribes had spread from their original home in the west to much of the east and the south. The power of the king greatly increased. Rulers gave themselves titles like ekarat (the one ruler), sarvabhumi (ruler of all the earth) and chakravartin (protector of land). Note that in early Vedic times he was called gopa, protector of cows. The kings performed sacrifices like rajasuya, (royal consecration) vajapeya (drink of strength) and ashvamedha (horse sacrifice). The coronation ceremony was a major social occasion. Several functionaries came into being in addition to the purohita and the senani of earlier times. The participation of the people in the activities of the government decreased.Society: The concept of varna and the rules of marriage became rigid, but not yet watertight. The status of the Brahmanas and Kshatriyas increased greatly. To legitimize their position and the increase their power, the Brahmanas proliferated a large number of sacrifices, developed extreme specialization, and also restricted social mobility. The proper enunciation of verses was considered essential for prosperity and success in war. Kshatriyas amassed wealth, and commissioned the performance of sacrifices. Many rituals emerged to strengthen the alliance between these two groups. But the varna system in India has remained fluid.MahabharatHistory of Haryana - Mahabharat War, 900 BC approximatelyMahabharat, (or Mahabharata as it is known in English), is the longest poem in the world, made up of 220,000 lines divided into 18 sections. It was written in Sanskrit, the ancient sacred language of India and it tells the story of a great battle that occurred about 3000 years back. It was on the banks of river Saraswati that saint Ved Vyas wrote Mahabharat, approximately in 900 BC. Lord Krishna preached «Bhagvad Gita», the gospel of duty, to Arjun at the on set of the great battle of Mahabharat. Since then, this profound philosophy of the supremacy of duty has became the foundation of Hinduism, Indian culture and thought. The Mahabharat knows Haryana as «Bahudhhanyaka» - The land of plentiful grains, and «Bahudhana» - The land of immense riches.Dhritarashter and Pandu were born to Bhisham's brothers. Dhritarashter was born blind and though the elder, he had to forfeit his claim to the throne due to this physical defect. Pandu became king. Of the two brothers Dhritarashter married Gandhari, whereas Pandu, the younger had two wives, Kunti and Madri. Gandhari was so devoted to her husband that she bandaged her eyes, not to enjoy anything that she could not share with her royal husband, and thus remained voluntarily blind for life. She became the mother of the Kouravs, 100 in total, whereas Kunti got three sons and Madri two.One day while hunting, Pandu accidentally killed the wife of a sage, who got enraged and cursed Pandu that if ever he had intercourse with a woman, he would die instantly. Pandu renounced his crown to become a hermit and went to the jungle with his two wives, Kunti and Madri. But one day, Pandu couldn't resist himself and had intercourse with Madri and thus died. Madri immolated herself and walked into her husband's funeral fire leaving behind her two sons Nakul and Sahadev in custody of Kunti who already had three sons Yudhishthir, Bheem and Arjun. On Pandu's death Dhritarashter became the king and the five sons of Pandu, known as the Pandavs grew up in the guardianship of Kunti. The five Pandav princes were educated along with Kourav boys under the supervision of Bhisham and the patronage of Dhritarashter. Drone, though a Brahmin was a very skilful and efficient teacher, who taught them the art of archery and the various techniques of warfare.Yudhishthir, the eldest of the Pandavs, was so righteous that he gained the name Dharamputr. Bheem was a giant in physical strength. Arjun was handsome and the most skilful archer. Dharamputr was the beloved of the people and being the eldest among the 105 princes, was naturally, and by his right too, the heir to the throne. Duryodhan, the eldest of the Kouravs, however was jealous of the Pandavs and tried every means to destroy them. When Yudhishthir was proclaimed king, Duryodhan could not sit quiet and watch. Dhritarashter loved all the 105 princes alike, and there was no partiality in his mind between his own sons and the nephews, the Pandavs. The great blind royal father, came under the bad influence of Duryodhan and, though directly not an evil-doer, was in sympathy with his son's disappointments and sorrows.Duryodhan's plan to kill the Pandavs cunningly giving poison to Bheem, burning down the lac-house etc., failed miserably. Bheem was strong enough to digest the poison. The Pandavs were warned in time by their uncle Vidur and so in the darkness of the night the five brothers along with their mother escaped into the jungle from the burning lac-house. After their miraculous escape from the lac-house, they did not return to the palace. They roamed about in the guise of Brahmins with their mother. Every one including the Kouravs believed them to be dead.During that time, they heard of the Swayamvara of Droupadi. The qualification to marry her lay in the extraordinary skill of archery in hitting a moving target. Arjun easily won. Everybody congratulated the winner, and discovered that it was Arjun. Thus the Pandavs were found out, He took his bride to their hut and called to his mother to come outside and see what he had brought. Instead of doing so, she answered back «My dear children, whatever it be, you share it among yourselves». Therefore, Droupadi became the common wife of all the five Pandavs. Krishna, who was also present, at the marriage ceremony became a great friend of the Pandavs from then onwards. On Bhisham's advice, the kingdom was divided into two parts. Naturally the better half was taken away by the Kouravs. Still, the others built a wonderful city in their own half and called it Indraprastha. Duryodhan watching the increasing prosperity of the Pandavs and could contain himself no longer. He openly challenged Dharamputr for a game of dice, Sakuni, deceit in human form, was the uncle of the Kouravs. He played for them. Inevitably Dharamputr lost everything - his kingdom, his brothers and also his wife.Not satisfied with this gain, Duryodhan tried to insult Droupadi in public. By Lord Krishna's grace, nothing disastrous happened. Dhritarashter, fearing that this might bring unforeseen calamities begged Droupadi to take whatever she wanted. She asked for the freedom of her husbands. It was granted. Dhritarashter due to his excessive love for the eldest son was blind to what is right and what is wrong. So again Duryodhan invited Dharamputr for another game of dice, and the bet was that the losers would live in the forest for 13 years without any claim to the kingdom, the last year however to be spent incognito. But if in the thirteenth year, they were detected, again a round of 13 years' exile; and this would go on forever.Dharamputr lost again. During the twelve years in the forests, the Pandavs visited many holy places. They had many interesting adventures at this time. One of them led to Hanuman's friendship and grace. Arjun is called Kapidhvaja as he keeps on his flag the emblem of Hanuman. Krishna visited them now and then. Arjun, at the advice of Vyasa, practiced penance, propitiated Siva and got from Him the mighty weapon, the Pasupatastra. He propitiated also the other gods lndra, Agni, Varuna and others and got from all of them very powerful weapons. Thus the twelve years were not wasted but spent in securing the divine weapons, which would become useful later on.In the 13-th year, hiding all their weapons in the hollow of a tree in a burial ground, all the Pandavs with Droupadi went to the palace of the king of the Viratas and stayed there as servants. Duryodhan was making frantic efforts to discover them. When he heard about the strange murder of Kichaka the brother-in-law of the king, he concluded that the Pandavs must be in the Virata country. So the Kouravs attacked the Viratas, with apparent purpose of carrying away its cattle-wealth. Of course the Pandavs took part in the battle, but when they were recognized as Pandavs the time limit of thirteen years had already passed.Dharamputr was fond of peace, and was ever against any quarrel, much less war. So he sent Krishna as a messenger to Hastinapura to claim his kingdom back from Duryodhan. But Duryodhan had by this time come to regard Indraprastha as his own. He not only refused to give their kingdom back, but refused to give even 5 houses for the five brothers to live! War had to be declared. This is the great war fought at Kurukshetra to decide the right of claim. The hundred Kouravs, Bhisham, Drone, Asvathama, etc., were on one side and the Pandavs, Krishna, Drupada, etc., were on the other. Krishna did not actually fight. He was the charioteer of Arjun and hence He is called Parthasarathy. Krishna was very impartial. He gave his army to the Kouravs and himself offered to serve the Pandavs. The Kourav and the Pandav armies arrayed themselves for the war. The Kouravs planned their attacks under the supervision of Bhisham, and under Bheem's management the Pandava army marched into formation. This is the point at which Arjun has second thoughts about fighting in the battle. Krishna gives Arjun good advise that brings back his war-spirit. This advice is known as: The Bhagvad-Gita.All the Kourav princes died in this battle, and Yudhishthir became king. He continued to reign until he felt that he had completed his life's work. Then he renounced the throne and set out for heaven with the other Pandavs and their wife, Droupadi. With them also went a dog which represented Dharma, the god of duty and moral law. After more adventures, the Pandavs were finally united in heaven.This story, which forms the main theme of the Mahabharat, makes up only about a quarter of the poem. The Mahabharat contains many other popular stories, including the tales of Nala and Damayanti, Savitri and Satyawan, Rama, and Shakuntala. The battle of Kurukshetra offers an opportunity to discuss military strategy, there is also a mention of a board game Chaturanga, from which the modern day Chess originated. But the underlying theme of the Mahabharat concerns moral duty and right conduct. The long and complex dispute that divides the royal family of Bharat affords an opportunity to explain the duties and conduct expected of a king. It also shows the ideals of behavior for subjects, soldiers, religious hermits, and people suffering misfortune. Sage Ved Vyasa is traditionally regarded as the author of the Mahabharat, but he is more likely to have been its compiler. The epic seems to be a collection of writings by several authors who lived at various times. The oldest parts are probably about 3,000 years old, while others can be traced to as late as AD 500. The importance of Krishna as the main god of this epic developed in Hindu thought between 200 BC and AD 200. As a result, the Mahabharat can be used to trace the spread and development of Vaishnavite thought in Hinduism. The god Vishnu became a very personal deity for his worshippers through his appearance as Krishna, the adviser and friend of Prince Arjun in the Mahabharat. About 1,300 greatly varying manuscripts of the Mahabharat survive today. All of them show the poem in its later form because the earliest of them goes back only to the 1400's.The most famous addition to the Mahabharat is the Bhagvad-Gita. It occurs in the sixth book and is now the most widely recognized of Hinduism's sacred texts. The Bhagavad Gita tells how Arjun, the third of the Pandav princes, has misgivings about whether he should be fighting his cousins, the Kouravs. Krishna, speaking with the authority of the god Vishnu, persuades him that his action is just, and then Arjun's military skill becomes a deciding factor in the ensuing Pandav victory. The teachings of the Bhagavad-Gita are fundamental to Hinduism.HarshvardhanHistory of Haryana - Harshvardhan (606-647 AD)After the downfall of the Gupta Empire in the middle of the sixth century AD, North India was again split into several independent kingdoms. The Huns established their supremacy over the Punjab and certain other parts of Central India. The northern and western regions of India passed into the hands of a dozen or more feudatories. Gradually, one of them, Prabhakar Vardhana, the ruler of Thanesar, who belonged to the Pushabhukti family, extended his control over all other feudatories.Prabhakar Vardhan was the first king of the Vardhan dynasty with his capital at Thanesar now a small town in the vicinity of Kurukshetra in the state of Haryana nearly 150 km. from Delhi. After his death in A.D. 606, his eldest son, RajyaVardhan, ascended the throne. He was killed in a battle which he won against Devagupta who had killed Grahavarman, the husband of his sister Rajyashri and usurped the throne of Kannauj.Harsha ascended the throne at the age of 16. Though quite a young man, he proved himself a great conqueror and an able administrator. After his accession, Harsha first rescued his sister just as she was going to commit Sati. At the request of his sister, he united the two kingdoms of Thanesar (Kurukshetra) and Kannauj and transferred his capital from Thanesar to Kannauj. Harsha waged many wars. he defeated Sasank of Bengal. He also brought the five Indies i.e. Eastern Panjab (present day Haryana), Kannauj, Bengal, Bihar and Orissa under his control. He conquered Dhruvasena of Gujarat. He also conquered Ganjam, a part of the modern Orissa State.His empire included territories of distant feudal kings too. Harsha governed his empire on the same lines a the Guptas. The kings he conquered paid him revenue and sent soldiers when he was fighting war. They accepted his sovereignty, but remained rulers over their own kingdoms. Harsha's ambition of extending his power to the Deccan and southern India were stopped by Pulakesin II, the Chalukya king of Vatapi in northern Mysore.His reign is comparatively well-documented, thanks to his court poet Bana and Hieun Tsang. Bana composed an account of Harsha's rise to power in «Harshacharita». Hieun Tsang was a Chinese Buddhist pilgrim who came to India during this time to collect Buddhist literature and to visit places connected with Buddhism. He wrote a full description of his journey in his book «SI-YU-KI». Harsha died in the year 647 AD. He ruled over India for 41 years. He was the last empire builder of ancient India. Harsha supported the development of philosophy and literature and wrote three well-known plays - Nagananda, Ratnavali and Priyadarsika.After Harsha's death, apparently without any heirs, his empire died with him. The kingdom disintegrated rapidly into small states. The succeeding period is very obscure and badly documented, but it marks the culmination of a process which had begun with the invasion of the Hunas in the last years of the Gupta empire. Meanwhile, the kingdoms of the Deccan and the south became powerful.«There is a region called Haryana which is like a heaven on earth» - Vikrami Samwat, 1385Haryana became a state of India on November 1, 1966. The present day Haryana is the region where, along the banks of the River Saraswati, the Vedic Civilization began and matured. It was here that the Vedas were written, as the Aryans chanted their sacred Mantras. Replete with myths and legends, Haryana's 5000 year old history is steeped in glory. It was here that Lord Krishna preached Bhagvad-Gita at the start of the battle of Mahabharat. It was on this soil that saint Ved Vyas wrote Mahabharat in Sanskrit. Before the Mahabharat war, a battle of ten kings took place in the Kurukshetra region in the Saraswati valley. But it was the Mahabharat War, approximately in 900 BC, which gave to the region worldwide fame. Mahabharat knows Haryana as Bahudhhanyaka, land of plentiful grains and Bahudhana, the land of immense riches. The word Hariana, occurs in a 1328 AD Sanskrit inscription kept in the Delhi Museum, which refers to the Haryana region as The heaven on earth.Excavations of various archeological sites in Haryana, like Naurangabad and Mittathal in Bhiwani, Kunal in Fatehbad, Agroha near Hissar, Rakhi Garhi (Rakhigarhi) in Jind, Sites in Rukhi (Rohtak) and Banawali in Sirsa have evidence of pre-Harappan and Harappan culture. Findings of pottery, sculpture and jewellery in sites at Pehowa, Kurukshetra, Tilpat and Panipat have proved the historicity of the Mahabharat war. These places are mentioned in the Mahabharat as Prithudaka (Pehowa), Tilprastha (Tilput), Panprastha (Panipat) and Sonprastha (Sonipat.Haryana has been the scene of many wars because of it being «The Gateway of North India». As years rolled by, successive streams of Huns, Turks and the Afghans invaded India and decisive battles were fought on this land. After the downfall of the Gupta empire in the middle of 6th century AD north India was again split into several kingdoms. The Huns established their supremacy over the Punjab. It was after this period that one of the greatest King of ancient India, Harshvardhan began his rule. He became the King of Thanesar (Kurukshetra) in 606 AD, and later went on to rule the most of north India. In the 14-th century, the Tomar kings led an army through this region to Delhi.Later the Mughal, Babur, defeated the Lodhis in the first battle of Panipat in the year 1526. Another decisive battle was fought in Panipat in 1556, establishing the reign of the Mughals for centuries to come. Taking advantage of Humayun's death, Hemu had marched to Agra and Delhi and occupied it without difficulty. In response, Bairam Khan (Akbar's guardian) marched towards Delhi. Both the armies clashed in the second battle of Panipat. Hemu was in a winning position when a stray arrow struck him in the eye. He fell unconscious causing panic among his troops. The tide of the battle turned and the Mughals won the battle. Towards the middle of the 18th century, the Marathas had control over Haryana. The intrusion of Ahmed Shah Durrani in India, culminated in the third battle of Panipat in 1761. Marathas' defeat in this battle marked the end of their ascendancy and the decline of the Mughal Empire, leading to the advent of the British rule.In 1857, the people of Haryana joined the Indian leaders in the 1857 Revolt against the British Government. By the end of June, 1857, most of the present Haryana region was liberated from the British. But the British managed to put down the rebellion in November, 1857 by bringing in additional forces from outside the area.Indian history is replete with tales of heroism of the highest order and in this context, the historic significance of the battles of Panipat and Kurukshetra in Haryana cannot be ignored by any means. The sacrifices of Haryana's brave soldiers have played a very important role in maintaining the territorial and sovereign integrity of our nation. The new state which emerged as a separate political entity of the Indian Union on November 1, 1966, is considered to be the cradle of rich Indian cultural heritage. In terms of economic development too, Haryana has come a long way during the few past years.History of Haryana - First Battle of Panipat (1526 AD)The first Battle of Panipat gave a death blow to the Lodhi empire and marked the end of the Delhi Sultanate's rule in India. It led to the establishment of the Mughal Empire in India. Mongol prince Zahir-ud-Din Muhammad, known as Babur, had promised to help Daulat Khan Lodhi, Governor of Lahore, to fight the Sultan of Delhi Ibrahim Lodhi in 1523 and made many raids into Punjab. Babur, after occupying the whole of Panjab by 1525 AD, marched towards Delhi. In November 1525 he set out to meet the Sultan of Delhi. Passage of Indus took place on 15th December. Babur had about 12,000 soldiers. Crossing Sutluj at Roper and reached Ambala without meeting any resistance. On April 1st Babur reached Panipat. It was barren wasteland dry and naked with few thorny bushes. Rumors came that Sultan was coming with an army of 100,000 and 1000 war elephants. The Afghan Sultan of Delhi, Ibrahim Lodhi advanced from Delhi to meet the invader. Babur had a strong artillery which was effectively pressed into service.The battle started at six in the morning. Sultan Ibrahim Lodhi advanced rapidly . At about 400 yards Babur's Cannons opened fire, noise and smoke from the artillery terrified the Afghans and the attack lost momentum. Seizing the movement Babur sent out his flanking columns to envelop the Sultan's army. Here the Afghans met for the first time the real weapon of Mongols «Turko-Mongol Bow». Its superiority lay in the fact that it was the weapon of the nobles, of the finest warriors. Such a bow in the hands of a Mongol warrior would shoot three times as rapidly as musket and could kill at 200 yards.Attacked from 3 sides the Afghans jammed into each other. Elephants hearing noise of cannon at close range ran wildly out of control. Ibrahim Lodhi and about 6000 of his troops were involved in actual fighting. Most of his army stretching behind up to a mile never saw action. Battle ended in about 3 hours with the death of Ibrahim Lodhi who was at forefront.And in place where fighting had been the fiercest, among the heap of Mongols slain of his sword, lay the vain but courageous Sultan Ibrahim Lodhi. His head was cut off and taken to Babur. Ibrahim Lodhi's tomb is still present in Panipat. When afghans fled they left 20,000 dead and wounded. Losses to Babur's army were heavy 4000 of his troops were killed or wounded. Had Sultan Ibrahim survived another hour of fighting he would have won, as Babur had no reserves and his troops were rapidly tiring in Indian mid-day sun. Babur observes in his autobiography, «The mighty army of Delhi was laid in the dust in the course of half a day». In the words of Rushbrook Williams, «If there was one single material factor, which more than any other conduced to his ultimate triumph in Hindustan, it was his powerful artillery». The elephants trampled their own soldiers after being frightened away by the explosion of gunpowder.Two weeks later the victorious Babur entered Agra where he was presented with the famous diamond «Koh-i-noor». Babur celebrated his victory in a lavish manner and occupied Delhi and Agra.Second Battle of Panipat (1556 AD)On 24-th January 1556 AD Mughal ruler Humayun slipped while climbing down the steps of his library and fell to his death. His son Akbar was only thirteen years old when he ascended the throne. At the time of Akbar's accession to the throne, the Mughal rule was confined to Kabul, Kandhahar, and parts of Punjab and Delhi. Akbar was then campaigning in Punjab with his chief minister Bairam Khan. On February 14, 1556, in a garden at Kalanaur, Akbar was enthroned as emperor. Hemu (Hemchandra) was a military chief of the Afghan King Muhammad Adil Shah who had established himself at Chunar and was seeking to expel the Mughals from India. Taking advantage of Humayun's death, Hemu marched to Agra and Delhi in October and occupied it without difficulty, and became the ruler under the title 'Raja Vikramaditya'.To counter this, Bairam Khan (Akbar's guardian) marched towards Delhi. On November 5 both the armies met at Panipat. Hemu with a large army including 1,500 war elephants had initial success. There was a pitched battle and Hemu was on a winning spree when a stray arrow struck him in the eye. He fell unconscious. As in many other battles, the loss of the leader caused panic among the troops and turned the tide of the battle. The Mughals won the battle. Shah Quli Khan captured the Hawai elephant with its prize occupant, and took it directly to Akbar. Hemu was brought unconscious before Bairam and Akbar. Bairam pleaded Akbar to perform the holy duty of slaying the infidel and earn the Islamic holy title of 'Ghazi'. Among much self-congratulation Akbar then severed the head of unconscious Hemu with his saber.Some historians claim that Akbar did not kill Hemu himself, but just touched the infidel's head with his sword and his associates finished the gory «holy» work. After the battle Hemu's head was sent to Kabul as a sign of victory to the ladies of Humayun's harem, and Hemu's torso was sent to Delhi for exposure on a gibbet. Iskandar Khan chased the Hemu's fleeing army and captured 1500 elephants and a large contingent. Hemu's wife escaped from Delhi with the treasure and Pir Mohammad Khan's troops chased her caravan without success. There was a great slaughter of those who were captured and in keeping with the custom of his ancestors, Akbar had a victory pillar built with their heads. This battle, known as Second Battle of Panipat was an epoch-making event in the history of India as it resulted in re-establishment of the Mughal empire in India.History of Haryana - Battle of Karnal 1739 ADFebruary 24, 1739, battle between the forces of Nadir Shah, an Iranian adventurer, and Muhammad Shah, the Mughal emperor, at Karnal, 125 km north of Delhi; the Mughals suffered a decisive defeat. Nadir led about 55,000 troops, and Muhammad 15,000, but both sides, especially the Indian, had large numbers of noncombatants. Nadir Shah had become the ruler of Persia by deposing the King in 1732.Nadir began his invasion in 1738 AD by pursuing fugitives from Kandhahar to Mughal-held Kabul (both now in Afghanistan). The alleged violation of promises by Muhammad Shah, and the ill-treatment of his envoys by the Delhi court, served as the alleged cause for his invasion. Divided counsels prevented a Mughal stand until Nadir reached Karnal. Jealousy and rashness led to the Indian defeat, and the emperor was besieged in his entrenched camp. Nadir marched to Delhi and massacred its inhabitants on March 11. He left Delhi on May 5 with plunder, including the famous Peacock Throne of Shah Jahan and the Koh-i-noor diamond. The Mughal Empire never recovered from this blow to its prestige.History of Haryana - The third battle of Panipat (1761)Towards the middle of the 18-th century, Marathas, under the leadership of the Peshwas had established their sway over Haryana and most of North India. The intrusion of the Afghan, Ahmed Shah Abdali into India, culminated in the third battle of Panipat on 14 January 1761. Ahmad Shah defeated the Marathas and this marked the end of the Maratha ascendancy. The defeat of the Marathas, rapid decline of the Mughal empire after Aurangzeb's death, leading ultimately to the advent of the British rule.The main reason for the failure of Marathas were the lack of allies. Though their infantry was based on European style contingent, they failed to woo allies in North India. Their earlier behavior and their political ambitions which led them to loot and plunder, had antagonized all the powers. They had interfered in the internal affairs of the Rajputana states (present day Rajasthan) and levied heavy taxes and huge fines on them. They had also made huge territorial and monetary claims upon Awadh. Their raids in the Sikh territory had angered the Sikh chiefs. Similarly the Jat chiefs, on whom also they had imposed heavy fines, did not trust them. They had, therefore, to fight their enemies alone, except for the weak support of Imad-ul-Mulk. Moreover, the senior Maratha chiefs constantly bickered with one another. Each one of them had ambitions of carving out their independent states and had no interest in fighting against a common enemy.Ahmad Shah (1722/?/-1773), first emir of Afghanistan, was the hereditary chief of the Abdali tribe of Afghans, whom he later renamed the Durrani. He led a contingent of his tribesmen in the service of Nadir Shah, king of Persia, who won control of most of Afghanistan and part of India. When Nadir died, Ahmad founded an independent Afghan kingdom. He invaded the Indian Punjab six times between 1748 and 1752, and he seized and sacked Delhi. Although he was a powerful military leader, Ahmad never succeeded in permanently ruling India; he subsequently withdrew into Afghanistan.History of Haryana - History from 1803 to 1857The year 1803 is an important year in the history of Haryana. In this year the area of what is now present day Haryana and Delhi came under the control of the East India Company of Great Britain. At that time Delhi was being ruled by the old and week Mughal ruler Shah Alam. But the real power lay in the hands of the Maratha leader Daulat Rao Sindhiya, who acted as his Regent. On 6-th September, 1803 the battle between General Lake's British forces and the Marathas took place near village Partapganj, 6 miles south of Delhi. Many people from Haryana fought along with the Marathas against the British. Among them were the Jats, led by Hari Singh, the king of Ballabhgarh, Ahirs, led by Rao Tej Singh of Rewari and 5000 Sikhs. The Marathas fought bravely but lost due to the cowardice of French officers who were assisting them. When the British entered Delhi on 14 September 1803, the Mughal ruler Shah Alam surrendered. On 30 September 1803, the Maratha leader Daulat Rao Sindhiya also decided to make peace with the British by signing a treaty with the East India Company. Under this treaty the areas of Haryana and Delhi came under the control of the British.In 1805 the British divided this area into 2 parts for administrative and political reasons. A smaller part called the 'Assigned Territories' was kept directly under the control of the Company. The larger part was divided and handed over to various local ruler who were faithful and loyal to the British. The Assigned Territory consisted of the areas under Panipat, Sonipat, Samalkha, Ganaur, Palam, Palwal, Nuh, Nagina, Hathin, Ferozepur Jhirkha, Sohna and Rewari. This area was administered by East India Company officer called the 'Resident' and he reported directly to the Governor General. The other larger part was divided into various princely states and handed over to loyal local kings and nawabs. But these arrangements didn't go down too well with the people of Haryana, who are by nature independent minded and dont like outsiders meddling in their affairs. Therefore they, especially the Jats of Rohtak and Ahirs & Meos of Gurgaon, rose again and again in revolt against the rulers. But by 1809 the British had established full control over the territory of Haryana.Year 1833 was another important landmark in Haryana's history. In this year the Bengal Presidency under the East India Company, was divided into two provinces of Bengal and North Western Province. Most areas of Haryana and Delhi together became one of the six divisions of the North Western Province called the Delhi division. The Delhi division was further sub-divided into seven princely states and five districts. The princely states were Bahadurgarh, Ballabhgarh, Dujana, Farukhnagar, Jhajjar, Loharu and Pataudi. The five districts were Delhi, Gurgaon, Rohtak, Panipat and Hissar. These districts were divided into Tehsils and Tehsils into «Zails». The officer heading the Delhi division was now called a Commissioner instead of the «Resident». At this time some areas of present day Haryana were outside the Delhi division and they were considered as part of the «upper region». These were the districts of Ambala and Thanesar and the princely states of Buria, Chhachhrauli and Jind. But the people of 'upper region' and Delhi division though administratively in different provinces, were closely bound by socio-cultural ties. This administrative system continued till the revolt of 1857. The revolt of 1857 was sparked by the introduction of the Enfield rifle in the Indian Army. The cartridges of this new rifle were greased with an ingredient containing «cow's fat» and «hog's lard». This news spread like wild fire among the sepoys of the army. Both Hindus and the Muslims were shocked and outraged at the use of «cow's fat» and «hog's lard» respectively. They soon formed panchayats in all corps and decided to socially boycott any sepoy who used these cartridges. This feeling continued to grow until at last a spirit of mutiny spread throughout northern India and Bengal. The first military station in northern India where the mutiny started was Ambala on 10 May 1857. Except for the princely states of Jind, Kalsia, Buria and some small Jagirs in Ambala and Thanesar, whole of the Haryana region was severely affected by the revolt. An important aspect of the uprising in Haryana was complete communal cooperation and amity. By the start of June 1857 almost whole of Haryana had become independent of the British rule. It took almost six months for the British to take back the control of Haryana. This they managed by the use of superior firearms, artillery and the help of some loyal rulers of princely states. The rebels were ruthlessly crushed by the British and in doing so they burned down hundreds of villages and indulged in wanton killing.History of Haryana - History from 1858 to 1885After the 1857 revolt, the British in February 1858, removed Haryana from the North Western Province and merged it with Punjab. The region of Haryana was divided into two divisions that of Hissar and Delhi. Delhi division consisted of the districts of Delhi, Gurgaon and Panipat while the Hissar division consisted of the districts of Hissar, Sirsa and Rohtak. The districts were further divided into tehsils, tehsils into Zails and Zails into villages. The Panjab government in 1871 ordered setting up of district committees or «Zila Samiti». The 1883 Panjab District Board Act gave more power to these Zila Samitis.The formation of Arya Samaj on 10 April 1875 was to play a very important role in the history of Haryana region. The founder of Aryan Samaj, Swami Dayanand (1824-1883) was a great Sanskrit and Vedic scholar. Swami Dayanand came to Haryana in 1880. He stayed in Rewari for some time to preach against superstition and illiteracy. He also established a branch of Arya Samaj in Rewari. Later another branch was established in Rohtak. Later still, Lala Lajpat Rai played an important part in popularizing Arya Samaj in Haryana villages. Arya Samaj played a great role in removing backwardness in the farming community of Haryana, especially the Jats.The formation of Congress party in 1885 speeded up the political activities in the Haryana region.History of Haryana - History from 1885 to 1947After the formation of Congress in 1885, the political activities in Haryana accelerated. In 1905, the British partitioned Bengal and this directly challenged the Congress program, which responded by the «Swadeshi Andolan». Sh. Murlidhar from Ambala and Lala Lajpat Rai in Hissar actively participated in this agitation. In October, 1907 in Ambala, a state level conference was held by the Congress. A large number of people from every corner of Punjab and Haryana participated in this conference. Under the leadership of Lala Lajpat Rai, the conference decided to form branches in every district. Till this time the Congress's Swadeshi Andolan did not have much effect outside the urban middle class of the region. As a result of the Ambala conference decision, district level branches were formed in all the districts of Haryana and Punjab.On 9 May 1907, the British exiled Lala Lajpat Rai to Burma causing a major setback to the activities of the Congress party. Due to increasing criticism, the British were forced to bring Lalaji back on 14 November 1907. But the bitter fight between the Garam Dal and Naram Dal factions of the Congress resulted in its activities coming to a standstill. Due to this and various other reasons the agitation for independence ran out of steam and it remained so till the end of the first world war.After the start of the first world war, the congress held a conference in Madras where it passed a resolution to support the British in its war effort. Four annual conferences were held by the Congress during the period of the war, and in each of them, similar resolutions for helping the British were passed. As a result congress workers from Haryana also started helping the British in their war effort. The main reason was that the leadership was in the hands of middle class urban people and they thought that by doing this they would be able to get some personal benefit.During the war a very large number of Haryanavi youth got themselves enlisted in the army. In Rohtak district alone more that 20,000 young men were recruited in the army by the British. Businessmen and other rich people donated large amounts of money to help the government. While the 'naram dal' faction of the congress was helping the British during the war, the 'garam dal' faction led by Bal Gangadhar Tilak and Ms Annie Besant started the 'Home Rule League' agitation. In Haryana, Pt. Neki Ram Sharma was at the forefront of this agitation. After the Calcutta Adhiveshan in 1917, Tilakji asked Pt. Neki Ram Sharma to lead the Home Rule agitation in the Haryana region.Pt. Neki Ram Sharma concentrated his activities particularly in the Rohtak region. Perturbed by this the Government threatened him with imprisonment and also tried to buy him out with offers of land and money, but to no avail. Disturbed by the failure of the Home Rule agitation he decided to invite Tilakji to Haryana but the Government reacted by banning Tilakji from coming to Punjab and arrested Pt. Neki Ram Sharma.History of Haryana - The people of Haryana agitate for a separate stateThe region of present day Haryana was made a part of Punjab in 1858 by the British. Due to the active role of people of Haryana in the revolt of 1857, this region was punished and no significant development work took place. The people of Haryana region were treated as second-class citizens. Moreover there were many difference between the people of these two regions like language, clothing and other habits. The demand for a separate state got a boost with the demand of Master Tara Singh for a «Punjabi Suba» in 1948. Moreover there were problems between the Hindi-speaking and the Punjabi-speaking population. To solve this problem the then Panjab Chief Minister, Sh. Bhimsen Sacchar introduced the «Sacchar Formula» on 1 October 1949. According to this formula, the state was sub-divided into two parts: 1. Panjabi Area 2. Hindi Area. The Hindi Area included the districts of Rohtak, Hissar, Gurgaon, Kangra, Karnal and the tehsils of Jagadhari and Naraingarh. It was decided that the official language of the Punjabi area would be «Panjabi» (Gurumukhi script) and the official language of the Hindi area would be Hindi (Devnagri script). The then state of PEPSU also decided to follow the same formula. But the «Sacchar Formula» could not succeed and it became especially unpopular in the Hindi area. On 25 December 1953, the Indian government set up a commission under the chairmanship of Syed Fiazal Ali for suggesting the reorganization of states according to language and culture. The proponents of 'Panjabi Suba' and Haryana both appeared before the Commission to press their case. But the Commission in its wisdom did not approve of the division or reorganization of Panjab. This decision of the commission caused great despondency in the region.Panjab government tried to find a solution to this increasingly difficult problem by suggesting the division of the state into Panjabi speaking and Hindi speaking areas. Accordingly, in April 1956 the Indian government declared Panjab to be a dual-language state and divided it into «Panjabi Area» and «Hindi Area». Both Hindi and Panjabi were declared its official language. The Hindi Area this time included the districts of Hissar, Rohtak, Karnal, Gurgaon, Mahendergarh, Shimla, Kangra, Kohistan and the tehsils of Ambala, Jagadhari, Naraingarh, Jind and Narwana. But in 1957, due to certain actions of Pratap Singh Kairon, the then Chief Minister of Panjab, this solution too failed.The failure of this solution accelerated the demand for separate states in both the regions. In 1960 Master Tara Singh launched a «Morcha» to press for his demand of «Panjabi Suba». He was promptly arrested on the orders of Panjab CM, P. S. Kairon. On the arrest of Master Tara Singh, Sant Fateh Singh took over the leadership of the agitation. Because Sant Fateh Singh was a secular person and well connected with the masses, he became more popular. He went on a 'Fast unto death' to force the government to accept their demand for the «Panjabi Suba». More than 57,000 people went to jail in this «Satyagrah». Both the Indian and Panjab government were shaken by this agitation. The wily Panjab Chief Minister Kairon then played his trump card and released Master Tara Singh from jail. Master Tara Singh was greatly disturbed by the increasing popularity of Sant Fateh Singh. He took the leadership of the agitation back from Sant Fateh Singh and persuaded him to break his fast. The he himself decided to go on a «fast unto death», but broke the fast after 48 days. This caused Master Tara Singh to loose his popularity and Sant Fateh Singh became the leader of the Panjab people especially the Sikhs. Meanwhile discontent keep on simmering in the people of Haryana region for a separate state. In 1965, Sant Fateh Singh again decided to go on a fast on 10 August 1965 to press for the demand of the «Panjabi Suba». He further threatened self-immolation if the demand was not accepted in 25 days. The Hindus of the Panjabi Area opposed the demand for the division of the state fearing that they would be in a minority in the new state. The local press, which was also controlled by the Hindus, too joined in and openly opposed the division. The people of Haryana region, except for RSS and Jan Sangh followers, supported the demand for the division of Panjab into Hindi speaking and Panjabi speaking states. Finally bowing to the growing pressure from the people of both the regions, the Indian government announced the setting up of a parliamentary committee for reorganization of Panjab on 23 September 1965. This committee was headed by Sardar Hukam Singh. Meanwhile in October, all the legislatures belonging to the Haryana region got together an discussed the issue of the new state. On 17 October 1965, in a big meeting in Rohtak, three important resolutions were passed:A new Hindi speaking state should be formed, which shall include in addition to the Hindi speaking areas of Punjab, some areas of Delhi, Rajasthan and Uttar Pradesh.If the states of Rajasthan and Uttar Pradesh are not agreeable, then the new state should be formed consisting of Hindi speaking areas of Panjab.The people of Haryana region would not tolerate any division of the Hindi speaking area and whole of this area should constitute the state of Haryana.Hukam Singh committee agreed to the division and reorganization of Panjab and recommended that a «Boundary Commission» may be set up to facilitate this division. On 23 April 1966, acting on the recommendation of the Hukam Singh Committee, the Indian government set up the Shah Commission under the chairmanship of Justice J. C. Shah, to divide and set up the boundaries of Punjab and Haryana.History of Haryana - Haryana Day: A new state is born!Haryana was carved out of the Indian state of Punjab on 1-st November 1966. This state was formed on the recommendation of the Sardar Hukam Singh Parliamentary Committee. The formation of this committee was announced in the Parliament on 23 September 1965. On 23 April, 1966, acting on the recommendation of the Hukam Singh Committee, the Indian government set up the Shah Commission under the chairmanship of Justice J. C. Shah, to divide and set up the boundaries of Panjab and Haryana.The commission gave its report on 31 May 1966. According to this report the districts of Hissar, Mahendergarh, Gurgaon, Rohtak, and Karnal were to be a part of the new state of Haryana. Further the Tehsils of Jind (district Sangrur), Narwana (district Sangrur) Naraingarh, Ambala and Jagadhari were also included. The commission recommended that Tehsil Kharar (including Chandigarh) should also be a part of Haryana. After receiving the report of the Shah Commission, the Indian government passed Panjab reorganization bill, 1966 on 18 September 1966. According to this bill, the boundary of the Haryana was to be as follows:The districts of Hissar, Rohtak, Gurgaon, Karnal and MahendergarhThe Jind and Narwana tehsils of Sangrur districtThe Ambala, Jagadhari and Naraingarh tehsils of Ambala districtThe Pinjore circle of Kharar tehsil (district Ambala)Part of the Mani Majra circle of Kharar tehsilIt was also decided that the two states of Haryana and Punjab would have a common High Court called the «Panjab & Haryana High Court». The other parts of the bill dealt with issues like division of the Parliament seats in Lok Sabha and Rajya Sabha.
Коментари: 0 Разглеждани: 548 Група: History of Indi...
A characteristic Indo-Islamic-Persian style that flourished on the Indian subcontinent during the Mughal empire (1526-1857). This new style combined elements of Islamic art and architecture, which had been introduced to India during the Delhi Sultanate (1192-1398) and had produced great monuments such as the Qutb Minar, with features of Persian art and architecture. Mughal monuments are found chiefly in N India, but there are also many remains in Pakistan. This article discusses these distinctive forms of art and architecture as they developed under a succession of Mughal emperors.HumayunThe school of Mughal painting began in 1549 when Humayun(1530-1556) invited two Persian painters to his court, then at Kabul. They came to direct the illustration of the Amir Hamza, a fantastic narrative of which some 1,400 large paintings were executed on cloth.Achievements under AkbarIn architecture the first great Mughal monument was the mausoleum to Humayun, erected during the reign of Akbar (1556-1605). The tomb, which was built in the 1560s, was designed by a Persian architect Mirak Mirza Ghiyas. Set in a garden at Delhi, it has an intricate ground plan with central octagonal chambers, joined by an archway with an elegant facade and surmounted by cupolas, kiosks, and pinnacles. At the same time Akbar was building his fortress-palace in his capital, Agra. Native red sandstone was inlaid with white marble, and all the surfaces were ornately carved on the outside and sumptuously painted inside.Akbar went on to build the entire city of Fatehpur Sikri (City of Victory) in which extensive use was made of the low arches and bulbous domes that characterize the Mughal style. Built in 1571 the choice of the site of Sikri reflected Akbar's gratitude to a Muslim saint at Sikri for the birth of his son. Courtiers soon followed suit and built homes surrounding the palace and mosque. The new city became the capital of the empire, but in 1585 it was abandoned.Under Akbar, Persian artists directed an academy of local painters. The drawings, costumes, and ornamentation of illuminated manuscripts by the end of the 16th cent. illustrate the influence of Indian tastes and manners in the bright coloring and detailed landscape backgrounds. Modeling and perspective also began to be adapted from Western pictures. Basawan, Lal, and Daswanth were Akbar's most famous painters.JahangirJahangir (1605-27) favored paintings of events from his own life rather than illustrated fiction. He encouraged portraiture and scientific studies of birds, flowers, and animals, which were collected in albums. Mansur and Manohar were among his famous painters. Jahangir, who resided at Lahore, built less than his predecessors but effected the significant change from sandstone to marble.Shah JahanIt was Shah Jahan (1628-1658) who perfected Mughal architecture and erected at Agra its most noble and famous building, the tomb of his favorite wife, which is known as the Taj Mahal. A huge white marble building of simple, symmetrical plan, it is inlaid with colorful semiprecious materials and is set in an equally beautiful and symmetrical garden. The Taj Mahal continues the tradition of Mughal garden tombs, of which Humayun's tomb was the first. Shah Jahan established (1638) Delhi as his capital and built there the famous Red Fort, which contained the imperial Mughal palace. Painting also flourished during Shah Jahan's reign. Portraiture was most highly developed at his sophisticated court, and ink drawings were of high quality.Decline under AurangzebUnder the orthodox Aurangzeb (1659-1707) the decline of the arts began, although his ornate Pearl Mosque (1662) at Delhi is worthy of mention. During his reign the Mughal academy was dispersed. Many artists then joined Rajput courts, where their influence on Hindu painting is clearly evident.
Коментари: 0 Разглеждани: 378 Група: History of Indi...
Akbar was only 14 years of age in 1556 when he succeeded his father Humayun. That year, a formidable anti-Mughal coalition, consisting mainly of Afghanis, tried to recapture northern India but lost its battle against the Mughals at Panipat. Mughal control over northern India was finally established.Akbar pursued a policy of vigorous expansion until his empire reached the greater part of the sub-continent north of the Godavari, writes Hambly. Akbar proved himself as sophisticated a commander and leader as any of his ancestors. Akbar's far-sighted policies also included the employment of talented Hindus in senior administrative positions in a regime that previously had been exclusively Muslim.In 1566, an attempt was made on Akbar's life. An assassin, posted on the roof of Khair al-Manzel, a madrasah built by Maham Anka near the Purana Qila, shot an arrow at the emperor as he rode back into Delhi. The arrow wounded Akbar's shoulder. This incident changed Akbar's method of rule, notes Hambly. Akbar now took into his own hands the supervision of the entire administration of the empire.Akbar was an ambitious and noble commander who built the largest army ever in the history of the Mughal empire. By the end of the 16-th century, a Mughal army in the field resembled a city on the move. Not all of Akbar's military expeditions were of an expansionist nature. Akbar also was compelled to quell formidable uprisings among his own subjects, especially the Uzbeks and the Afghans. The Afghans in India were the most turbulent and dangerous of the emperor's subjects, especially those who had been born in the time of the Lodi Sultans and still remembered the great era of Shir Shah Sur and his son Islam Shah. Akbar annexed Malwa, Gondwana, and Bengal to the empire, and the Mughal troops made their first appearance in the Deccan. Khandesh, Berar and Ahmadnagar became Mughal subahs (provinces). According to Hambly, the annexation of the formerly independent Sultanate of Gujarat provided the empire with: enormous additional revenue from the area's rich commercial centers; access to the Gulf of Cambay, and hence, to the holy cities of Mecca and Medina in the Arabian Peninsula; and opportunities for trade with the Portuguese and the Ottoman Empire.Akbar was well aware of the structure and stratum of the society of his empire. His bold and imaginative approach to the problems of his heterogeneous empire may have reduced some of the long-standing, although generally passive, Hindu antagonism toward an administration which was entirely Muslim in spirit.Akbar appointed the great Hindu Rajput chiefs to an active partnership in his government. Eventually, it became accepted practice for high-profile Hindus, like Amber or Jodhpur, to be governors of a major province or commander-in-chief of an army composed largely of Muslims. The Hindus were able to practice their own religion without disturbance.Akbar's policy toward Hindus must be seen in its proper perspective. There was consistent contact between Hindus and Muslims in many areas of social life. Not only Muslim sovereigns but the entire Muslim ruling class recruited Hindus into their services, often in positions of great responsibility such as the case with Todar Mal and his staff. Hindus also served as craftsmen, artisans, entertainers, concubines, soldiers and servants. The two communities acknowledged and respected each other's rights in all aspects of social and religious life, notes Hambly.Akbar, who was born at Amarkot in Sind in 1542, had spent most of his childhood as an Afghanistan. From his Persian mother, he inherited his princely manners, his love of literature and the arts, and a characteristically Persian delight in philosophical discussion. From his Turkish father, he inherited his fierce energy, his love of war and his ability to command. During the early part of his life, Akbar took the greatest joy in hunting, in elephant fights, and in intellectual games. Akbar reveled in all the varied pleasures of the chase, from facing charging tigers and leopards to pursuing the wild ass in the Rajasthan desert.Akbar became unhappy with the increasing criticism of his relaxed attitude regarding non-Muslims in his government. Akbar's attitude was undoubtedly related to his vision of an empire with a diversity of faiths and cultures. Akbar's ire also reflected a hardening of his iron will and his fiercely individualistic personality, writes Hambly. The establishment of a new religion, Din-i llahi (Divine Faith), was a result of Akbar's consistent confrontations with his orthodox opponents.The court of Akbar fostered a lively literary culture and encouraged translations of all kinds. Massive numbers of classics were rendered into Sanskrit and Hindi. Also, religious literature was translated into Persian from other languages like Chaghatai Turkish, Sanskrit and Arabic. Akbar's school of translation made a valuable contribution to the Indianization of the Mughal ruling class.Hambly writes that Akbar's vigorous personal influence over the life of his court was paralleled in his patronage of painting. During Akbar's reign, early Safavid style - which had been introduced into India by Humayun - began to merge and blend with indigenous Indian elements, and a genuinely original Mughal style evolved. The new style brought a change of emphasis in subject matter. Traditional Persian painting had been concerned mainly with the illustration of literary classics such as the shahnameh, Nizami's Khamseh and Jami's Yusuf va Zulaykha. Mughal painters - many of whom were Hindus - shifted their focus from illustrating the great classics of Persian literature to new subjects such as the life of Akbar and his court, as well as the representation of nature, landscape and portraiture.The most distinctive work in Akbar's ateliers was the series of illustrations commissioned for Abdul Fazl's Akbarnameh. This series demonstrates the unique and superb qualities of the nascent Mughal School and set it far apart from its Safavid or Timurid precursors. In this series, crowded and bustling scenes of men and animals are full of vigor and movement; the use of color is uninhibited; and detail is finely observed. The languid is rejected.Unlike Babur or Humayun, Akbar had both the time and the resources to build on a monumental scale. Most of the monuments were constructed in or near Agra rather than in Delhi, Hambly writes. Akbar did not have great affection for Delhi, although most important Mughal structures had been built there. For Akbar, Delhi must have been a city of unhappy memories - the scene of his father's death and his own narrow escape from an assassination attempt. Moreover, the principal landmarks in Delhi - the Purana Qala, the city walls and gateways - commemorated the greatness of Shir Shah whom Akbar considered as the usurper of his father's kingdom. Since Delhi was the capital of both the Lodi Sultanate and the Shir Shah Sur dynasty, the city was always restless and hostile to the Mughals. In light of these circumstances, Akbar must have found Agra a more attractive residence.Akbar initially ruled from Delhi, but two years later he moved to Agra. The city was renamed Akbarabad in his honor and became the greatest city in the empire. The main part of the city lay on the west bank of the Yamuna and was provided with a drainage system to control the flow of rainwater. A new city wall was erected, and the old mud-brick fortress used by the Lodis was built again in 1565 of sandstone. The building's red color, write Blair and Bloom, gives rise to its modern name, the Red Fort. Blair and Bloom note that the fort follows the irregular, semicircular plan of its predecessor. On the city side, it is enclosed by a moat and a double wall that is broken by the Delhi Gate on the west and the Amar Singh Gate on the south. The two massive gates are distinguished by rows of arched niches and stunning veneer in red and white marble with highlights in blue glazed tile.According to the historian Abdul Fazl, construction of the fort was supervised by Muhammad Qasim Khan, who is credited with various feats of civilc engineering and who bore the dual titles, Master of the Land and Sea (mir-I barr wa bahr) and Master of Pyrotechnics (mir-Iatish).Two palaces are located to the southeast of the Red Fort, the Akbar Mahal and the Jahangiri Mahal. Like the gates, the outer facade of the Jahangiri Mahal is articulated with an orderly series of blind niches and panels filled with geometric motifs. In contrast to the calm austerity of the exterior, many of the interior surfaces are extravagantly decorated in carved stone, painted and carved stucco, and tile. The geometric patterns on screens and flat panels in the Jahangiri Mahal derive from Timurid designs.A similar synthesis of diverse architectural traditions could be seen on a larger scale at Fatehpur Sikri founded in 1571. The city was known as Fathabad (City of Victory), a Persian name which was soon supplanted in popular usage by the Indianized form, Fatehpur Sikri. Most of the major constructions at Fatehpur Sikri date to the 14 years when the city served as Akbar's principal residence.The city contained imperial gardens, rest-houses, residences for the nobility, and an experimental school dedicated to the study of language acquisition in childhood. Within the city, the buildings are set in two distinct ways. The service buildings - such as the caravanseri, the mint or factory, and a long bazaar (chahar-suq) - are set perpendicular to the southwest/northeast axis of the ridge. The imperial section of the city, which includes one of the largest congregational mosques in India, as well as a residential and administrative area known as the palace (dawlatkhana), is set at an angle to the ridge and aligns with the qibla, write Blair and Bloom.Akbar's tomb in Sikandara is set in a vast garden (about 760 square yards) enclosed by a high wall and divided by water channels. The red sandstone gateway on the south side, write Blair and Bloom, is crowned by four white marble minarets. It is boldly decorated in white, gray and black marble that is set in panels with geometric designs and large-scale floral arabesques which resemble the patterns on textiles. The numerous Persian verses in the frame around the arch, write Blair and Bloom, compare the tomb and its garden to paradise. They were designed by Abd al-Haqq Shirazi who was awarded the title Amanat Khan (Trustworthy Noble) and who was responsible for many of the inscriptions on the Taj Mahal.The tomb is a pyramidal arrangement of three tiers of red sandstone pavilions with domed pavilions (chatris) at the corners. On top is an open court containing the emperor's marble cenotaph surrounded by pierced marble screens, write Blair and Bloom. The white color of the marble, continue Blair and Bloom, contrasts sharply with the red sandstone used elsewhere. The play of light and shadow over the increasingly delicate superstructure contrasts with the powerful massing of the basement. With its receding stories of pillared galleries, write Blair and Bloom, Akbar's tomb belongs to the indigenous tradition of trabeate construction used for palaces, while the podium, with its vaulted bays, vestibule decorated with painted plaster, and high portals whose strong intarsia reproduced the effect of tile, maintains the Timurid tradition of vaulted masonry.Because of his ideal of cultural synthesis and religious diversity, Akbar reserved a unique place for himself in Indian history.
Коментари: 0 Разглеждани: 625 Група: History of Indi...
Akbar's Tomb, SikandraSikandra is a sleepy little outpost on the outskirts of Agra, and its main claim to architectural fame is the presence of Akbar's tomb. As was so often the case, it was built by his son Jahangir. Akbar's tomb, continuing the charbagh formula, is set in the midst of gardens with fountains and canals, and like Humayun's tomb, is also raised on a superstructure. Here, however, the similarities lessen, because in plan and detail, Akbar's tomb takes much from the indigenious Rajput and Gujarati traditions. The pavillions inside are decorated with motifs ranging from elephants, swans, lotus, swastika and chakras, along with the more conservative arabesques and calligraphy. Apart from these monuments, we may also enumerate several lesser known structures built during the same period. Among these are Jahangir's tomb at Shahdara near Lahore which reflects the influence of Sikandra, Itmad-ud-Daula's (Jahangir's father-in-law) tomb at Agra, mosques at Tatta and Ajmer, the Begam Shahi Masjid of Akbar's widow at Lahore, and the Patthar Masjid of Srinagar. This last is one of the few notable mosques built during Jahangir's reign. The emperor Jahangir, for all his taste, was too wasted by alcohol and sensual pleasures to ever embark seriously on military or architectural campaigns. The growing richness of the Mughal empire brought with it traders and merchants, who were eager to make a quick profit. India was at that time running a lucrative spice trade with foreign powers such as the Dutch, the Portuguese, the French and eventually the English. The Mughal court was close to its zenith, and seemed to have no equal or challenger. But appearances are often deceptive, and as is the case with too much prosperity, decadence was about to set in. But not before the Mughals had built some of the most impressive monuments in the world.Sikandraa magnificent MausoleumAkbar's tomb at Sikandra is an excellent example of assimilation of different styles of architecture and it represents a significant departure from the earlier Mughal buildings. The tomb carries the characteristic flavor of the airy tiered pavilions of the Agra Fort and Fatehpur Sikri. Islamic style of ArchitectureThe tomb of Akbar, though Islamic in spirit, is a blend of styles. The magnificent entrance, use of exquisite patterns, excellent jali work (intricately perforated decorative stone screens), fine Persian style calligraphy, the charbagh garden layout (four-quartered garden layout, with the main building at the center), etc., are representative of Islamic influence. On the other hand, the absence of a dome, use of chhatris (small domed canopies, supported by pillars), tiers of airy pavilions, etc., reflect a local influence, which are also found in the buildings built by Akbar in Agra Fort and the deserted city of Fatehpur Sikri. Akbar's TombAkbar was the third emperor of the Mughal dynasty that ruled India in the medieval period. In 1556, at the tender age of 14, he was crowned the Mughal ruler following the sudden death of his father Humayun. Akbar was not only a good administrator but also a connoisseur of art and architecture. The architectural prowess of this great monarch is evident from the numerous buildings built by him within the precincts of the great Agra Fort. Most of the buildings within this fort represent a unique blending of different architectural styles. Later on, he went on to build the imperial city at Fatehpur Sikri (near Agra). The buildings at Fatehpur Sikri belong to a composite style of architecture with the predominating Islamic style cleverly blended with local Rajasthani and Gujarati styles. The style of architecture characterized by airy tiered pavilions that emerged at Fatehpur Sikri can best be described as a melting pot of different cultures. It not only made Indian culture rich but also reflected the broadminded nature of Akbar and his prosperous reign. Before his death in 1605, Akbar started building the magnificent edifice at Sikandra, which was later completed by his son Jahangir. The tomb, as it stands today, is in a large walled garden on the Delhi-Agra road. The tomb can be entered through an elegant southern gateway, which leads into the huge enclosed garden. This magnificent gateway is covered with floral and geometrical arabesque decoration in white and colored marble is crowned with four elegant minarets in white marble. The calligraphic decoration, first of its kind, is simply grand. The gateway is a stately composition. Its high central arch is flanked by others, which are small and simple. The grandeur of this gateway renders it the most magnificent gateway to any monument in the country. The charbagh (four gardens) leads to the pyramidal structure of the emperor's tomb. The tomb is predominately bright red-tiered structure, stacked like a castle of playing cards. The tomb is different from previous Mughal buildings in many ways. The building has five levels. The first is a podium of arches. In the center of each face is a highly inlaid framed door. The next three levels are in red sandstone and have no arches, but the flat roof is held in place by rows of pillars. On the uppermost terrace, one can see a white wall with arches and replica of the sarcophagus that lies open to the sky. Large panels of superbly crafted jali (filigree) screens form the outer wall of the verandah on all four sides. Akbar's grave lies in the basement, reached through a portico covered with gorgeous stucco paintings in gold, blue, and green floral arabesque of Persian inscriptions. Since Jahangir completed the structure begun by Akbar, it suffers from stylistic and conceptual incoherence. The absence of the crowning dome remains a mystery. Still, Sikandra ranks high amongst the most beautiful of all Mughal buildings.Khushwant SinghIn our history books a few rulers were given the suffix great: Ashoka, Chandra Gupta Maurya, Akbar, Ranjit Singh. Besides their conquests and ruling over vast regions, it was their humane qualities that endeared them to their subjects. Historians don't tell us as much about them as they should. One gap in our information about Emperor Akbar has been filled by Shireen Moosvi, Professor of History at Aligarh Muslim University. Her slender book Episodes in the life of Akbar (National Book Trust) tells us what Akbar looked like, what he ate, his hobbies, how he dealt with courtiers and common folk, his religious beliefs, the hours he spent at work and the hours he slept. We get to know him as a man as well as a great ruler.Akbar was born on 15 October 1542, at Amarkot, to Hamida Bano, wife of Humayun who had been ousted from the Sultanate of Delhi by the Afghan Sher Shah Suri. He spent some years of his childhood in Kabul in the protective custody of his uncle who remarked how closely the child resembled Babar. He was a strong little boy. In a battle of strength with his elder and bigger cousin over the possession of a painted doom, he picked up his adversary and threw him down. He refused to learn how to read or write but did learn how to draw and paint. On the death of his father who had regained the Mughal throne in Delhi, he was crowned King at Kalanaur in 1556. For four years he let Bairam Khan run the affairs of the state; then summarily sent him off on a pilgrimage to Makka. (He was assassinated before he could leave India). He indulged in cock-fighting, riding horses and elephants, flying kites and pigeons. Above all, he loved hunting on a massive scale. Wild animals were rounded up by thousands of beaters, he shot them with bow and arrow, muskets, speared them or slew them with his sword. It was on one of such massive hunts near Bhera that he was overcome with remorse for killing dumb creatures which had done him no harm. He meditated over it for a long time and called off the hunt and hunted no more.In 1563, Akbar had to contend with a quarrel between two close relations, Atka Khan and Adham Khan, sons of his foster-mothers. Adham murdered Atka. When Akbar heard of it, he flew into rage. He swore at him in Hindustani calling him a catamite and ordered him to be thrown down the ramparts of the fort twice till he was dead. Adham Khan's tomb is in Mehrauli. His mother Maham Anga's hospice faces the entrance gate of Delhi Zoo. Atka Khan's body was also brought to Delhi. His mausoleum is close to the dargah of Nizamuddin Auliya.Akbar liked women and stocked his harem with hundreds of beauties selected by eunuchs who were sent out as scouts to find them. He was specially enamoured of Rajputs, the bravery of their men and the beauty of their women.Much has been written about the nine gems (nav rattan) of his court and his interest in different religions. Moosvi's compilation from Mughal sources mention the nine gems but has a lot on his discourses at the Ibadat Khana (house of prayer) where he heard preachers of Zoroastrianism, Christianity, Hinduism and Islam propound their faiths. Though he remained illiterate to the end, he had a remarkable memory and would recite by rote passages from Rumi and Hafiz and also composed poems in Hindi and Persian. Interest in Sufism was first roused by Khawaja Salim Chishti. Akbar named his son Salim after him and built the city Fatehpur Sekri. Though constantly engaged in extending his empire, and putting down rebellions (he never lost a battle), he found time to discuss problems of the common people with governors of states. He kept a punishing schedule of work, never sleeping more than three to four hours of the day and night.It may come as a surprise to readers that Akbar only drank water from the Ganga and his food was cooked in waters of the Yamuna and the Chenab. He ate only one meal a day at no fixed time. Gradually he gave up eating meat: «I don't want to make my body a tomb for beasts», he said. He preferred plain rice, milk products and sweets.Early in October 1605 Akbar was taken ill. He got high fever and diarrhoea. He sensed his end was near and sent for his eldest son. He handed over his sword to him, signifying recognition of him as his successor. He died during the night of Tuesday, on October 26, 1605. The next day Prince Salim Jahangir and his brothers took his body to Sikandara and laid it to rest. Thus ended 52 years of his glorious rule.In love with natureFor people like us who are abysmally ignorant to the world of nature in which they live, it is a small miracle to find a few men and women who are not the least concerned with politics and corruption but spend most of their hours watching birds, trees, monkeys and insects and recording changes in them during the different seasons. One of them is Calcutta-born Ranjit Lal, who has made his home in Delhi. This man picked up a caterpillar and put it in a glass jar with a heap of leaves of the kind it was attached to. He watched it hours on end as it devoured leaf after leaf, went into his next stage, cocooned in a chrysalis, and then kept a 24-hour vigil so that he did not miss the magical moment when the worm of a few days turned into a beautiful butterfly.Ranjit lives in an apartment overlooking the oldest Christian cemetry of Delhi in Kashmere Gate where General Nicholson, who led the assault on the city taken over by sepoys in 1857, lies buried. Its main occupants are herds of rhesus monkeys who steal food from neighbouring houses, play havoc with cars and buses parked nearby and generally have a good time playing, fighting and catapulting. Ranjit watched their antics long enough to identify them individually. He noticed that at time both males and females had red faces and behinds. He noted that the change of colour came with their periods of fertility, though like humans they indulged in sex both homo and hetero. The other areas where Ranjit does-his bird-tree-insect watching includes the stretch of the Yamuna from the Gandhi Samadhi to Majnu ka teela, the Ridge and Jackson's Jheel. Despite Delhi being one of the most polluted cities of the world, it also has more trees to the spare kilometre than any other. So it teems with bird life and is a watchers' paradise. The one minor problem face with his book Mostly Birds, Some Monkeys and a Pest: Nature in around Delhi (Ravi Dayal) is that it is not illustrated. His descriptions of nature make good reading but if you can't tell a pochard from a widgeon, pin-tail or Brahmin duck, or different varieties of bulbuls and mynahs you won't know what he is writing about.History of MultanIkhlaq Ahmed Qadri in the context of the celebrations of 5000 years of Multan, beginning from November 2000 provides interesting information about this ‘city of Saints'.Multan as a tradition which goes back to the Bronze Age. Rich in archaeology and the history, the city has a lot to offer for those in search of culture. But, more then anything, it's the monuments that give the region a glory of its own.Old Multan is actually a fortified city built on a huge ancient mound and with six gates set at different places. The six entrances to the old city are; Dault Gate, Bohar Gate and Lahori Gate. Three of these (Dault, Lahori and Pak) Gates have been destroyed while the remaining three are intact, although even these are actually reconstruction, from the British period. All the existing gates are of one and the same design. A circular road, locally known as the "alang" runs right around the old city, but inside the fortification wall and not outside it as in common on other old cities. However, a modern circular road also runs on the outer side of the city. The walled city is densely populated with narrow streets, winding lanes and old style houses built quite close to each other. As Multan was once a centre for wood carving, some of its old houses have good specimens of woodwork on their windows and doors.Being a historical city, Multan is full to tombs, mosques and other monuments of Muslim origin. Apart from historical buildings, there are two other objects in the city which have almost come to be regarded as monuments on account of their excellent workmanship. These are the two huge, carved wood «Tazzia models», which are the best specimens of craftsmanship.Multan, it is not surprising, is also known as «Mandinatu-Aulya», the city of saints. It has tombs, mosques and «Khanqahs» (hospices) of saints. Keeping in view their historical value, priceless art work, architecture style and craftsmanship involved, all these monuments are beautifully decorated and ornamented with blue titles, fresco-paints and mosaic work, and some with the delightful and soothing Kashi and Naqashi work for which Multan is famous.Multan was an important city even before Islam but it gained importance after the arrival of Islam. Hence most of the crafts and monuments of artistic value are clearly influenced by Islam.The Historical TombsThe history of Multan's Muslim architecture begins with the Muslim conquest. Little is known about the architecture of Multan prior to the 11th century, though elsewhere in Pakistan we can trace the genesis of Muslim architecture from the 8th century A.D. During the 13th and 14-th century, a new style of architecture was introduced for funerary memorials of the Muslims in and around Multan the style begin with the tomb of Baha-ud-din Zakariya and culminated in the mausoleum of Shah Rukn al-Din Rukn-I-Alam, which has been admired as «one the most splendid memorial ever erected in the honour of the dead». These two mausoleums served as perfect models for the future architecture. The architects continued to imitate them for well over six hundred years. The popularity of the style did not lessen even when the more refined and gorgeous Mughal style of Rukn-e-Alam is the beautiful tomb of Sultan Ali Akbar at Suraji Miani near Multan, which was erected in the Mughal period (992/1585).Some of the common features of all mausolea in Multan are their tapering walls, single dome and the glazed tile decoration on the exterior. Another widespread feature is a wooden canopy, over the main grace. Decorated with carving and grills, the ceiling of the canopy is always adorned with glazed tiles of different motifs. Occasionally the grills are made of marble, ornamented with beautiful geometric designs.The Tomb of Saint Bahauddin ZakaryaStanding at the northeastern side of the old fort which is situated on the high mound, is the tomb of Shikh-al-Kabir, Bahauddin Abu Mohammed Zakariya Al-Qurashi. The tomb occupies the centre of a vast oblong open area measuring 260 feet N.S by 203 feet E.W and is enclosed by a perimeters brick wall. It has two main gates one on the east and the other on the West Side. There is a vow of fourteen «Hujras» on the north for the «Zaireen».The tomb was almost completely ruined during the siege of Multan in 1848 AD by the British army but was repaired immediately by Makhdum Shah Mahmud. There is no original inscription on the body of the tomb to show the date of its construction and the subsequent repairs. However, from the fact that here lies the great Shaikh Bahauddin Zakariya who had erected it himself during his prime time, it can be said that it belongs to the early decades of the 13-th century. The Shaikh died on the 7-th of Safar (661/21 December 1262).The Tomb of Shah Rukh-e-AlamThe mausoleum of Shah Rukn-e-Alam is also situated on the fort mound. The Shaikh was the son of Pir Sadar-Al-Din Arif born at Multan on the 9th of Friday Ramazan 649/26 November 1251. He was the grandson and successor of Shaikh Baha-al-Din Zakariya.Shaikh Rukn-i-Alam (Rukn-al-Din) died on the 7th of Friday (735/3 Jamadial-Awwal, January 1335). He was buried in the mausoleum of his grandfather, according to his own will. After sometime, however, his coffin was transferred to the present mausoleum. It was constructed, according to a popular belief, by Ghiyas-al-Din Tughluq (1340-1350) during the days of his governorship of Depalpur, but was given by Feruz Shah Tughluq to the descendents of Shah Rukn-i-Alam for the latter's burial. The mausoleum of Rukn-i-Alam has been admired by not only the travelers and chroniclers but also by the art-historians and archaeologist who wrote the architectural history of the subcontinent. The tomb was built on octagon plan, 90-ft in diameter with walls which are 414 ft high and 13.3-ft thick. The mausoleum was constructed with burnt bricks and supported by timber framing, and decorated with tile faced bricks and wood beams. The whole structure is divided into three stories. Over the second story is a smaller Octagon, leaving a narrow3 passage all around the place, above which stands a hemispherical dome. As the tomb is standing on a high artificial mound, it is visible from about 45 kilometers. Most of its patterns are geometric-created by arranging the glazed tiles-and a living testimony to creative genius of their designers. The building is also decorated with some floral as well as calligraphic patterns. In the 1970s the mausoleum was thoroughly repaired and renovated by the Auqaf Department of the Punjab Government. The entire glittering glazed interior is the result of new tiles and brickwork done by the Kashigars of Multan. This clearly demonstrates the talents and dexterity of the local craftsmen.The Tomb of Shah SabzwariThe tomb of Shah Shamas Sabzwari is situated near the Aam Khas Bagh, about a quarter of a mile on the east of the ancient port on the high bank of the old bed of the Ravi which is now filled with a multitude of modern buildings. Shah shams Sabzwari was a celebrated «Ismaili Dai». Very little is known about Shams Sabzari's life. According to a popular legend, he arrived in Multan at the time of Shaikh Baha-al-Din Zakariya. He breathed his last at the age of 111 years in 675/1276 and was buried in Multan.The main features of the tomb are similar to those of the city's other major tombs. It has a square hall in an Octagon shape topped by a high dome. There is a verandah all-round the grave-chamber, with fine arches in every side and a single entrance to the hall. In the courtyard, which is at a lower level than that of the verandah, there is small mosque. Like other decorated tombs of Multan, this tomb is also ornamented with Kaashi tile work and Naqashi work. But recently a fire damaged its entrance seriously.The Tomb of Shah Yousuf GardeziThis famous tomb is situated near the Bohar Gate. Its building is quite different from the city's other tombs, with a rectangular hall and a flat, dome-less roof. The hall, which has a small door towards the end of one of its longer sides, is constructed in a big compound. On one side of the compound stands the large hall of an imambargah. The tomb's present building is a completely renovated one. The rectangular building is thoroughly covered with the blue Multani tiles, decorated with countless floral and geometric patterns arranged in large rectangles, square and border. The skyline is a miniature replica of a fort's battlement and has a row of arches with borders raised in relief. Below the parapet wall runs a continuous calligraphic border on all four sides. The standard of this calligraphy, however, is not very high. Only blue and while have been used, the motifs include a rich variety of floral patterns.The Mausoleum of Sultan Ali AkbarThis tomb is situated in Suraj Miani, a locality in the northwest of the ancient city. Sultan Ali Akbar was a saint of Islamic order, and was the great grandson of Shams-Sabzwari. This is the only epigraphical evidence available about the saint on the faзade of the mausoleum, however, the tomb is a very important contribution towards the adoption assimilation and spread of Multani architecture where almost every characteristic of the Rukn-i-Alam's tomb including the octagonal plan, tapering turrets, the three storied well balanced and harmonious elevation, embellished with colourful tiles revetment, and screened window opening, his some horizontal as well oblique so also noticeable. It is because of this that the monument has been nicknamed the «Little Rukn-i-Alam». It has glazed style design used according to the available space. The mausoleum stands on a six feet high square platform.Tomb of Hafiz Muhammad JamalThis tomb is situated near Aamkhas Bagh surrounded with thick heavy wall of small bricks. The main square building includes a large hall, surrounding veranda and a Majlis Khana. The tomb was built in 19th century during the reign of Ranjit Singh (1810). The land for the tomb was given by Sawanmal, the governor of Multan in those days. The main building was constructed under the supervision of Khawaja Khuda Bakhsh «Tami Waly» and Khawaja Muhammad Isa of Khanpur. With passage of time the building and its decoration were badly damaged, although necessary repair work was carried out on the original pattern in 1972-1974. With the exception of the main entrance, the exterior of the tomb is very simple. However, the interior is profusely decorated with Kashi work and glass mosaics - Shisha MinaKari, While the tomb itself is exceptionally fine example of mosaic work. All the motifs and pattern are floral, with different colours.
Коментари: 0 Разглеждани: 423 Група: History of Indi...
India in the 16-th century presented a fragmented picture of rulers, both Muslim and Hindu, who lacked concern for their subjects and who failed to create a common body of laws or institutions. Outside developments also played a role in shaping events. The circumnavigation of Africa by the Portuguese explorer Vasco da Gama in 1498 allowed Europeans to challenge Arab control of the trading routes between Europe and Asia. In Central Asia and Afghanistan, shifts in power pushed Babur of Ferghana (in present-day Uzbekistan) southward, first to Kabul and then to India. The dynasty he founded endured for more than three centuries.Claiming descent from both Genghis Khan and Timur, Babur combined strength and courage with a love of beauty,and military ability with cultivation. Babur concentrated on gaining control of northwestern India. He did so in 1526 by defeating the last Lodhi sultan at the First battle of Panipat, a town north of Delhi. Babur then turned to the tasks of persuading his Central Asian followers to stay on in India and of overcoming other contenders for power, mainly the Rajputs and the Afghans. He succeeded in both tasks but died shortly thereafter in 1530. The Mughal Empire was one of the largest centralized states in premodern history and was the precursor to the British Indian Empire.The Taj Mahal - the most famous structure in India built during Mughal EraThe perennial question of who was the greatest of the six "Great Mughals" receives varying answers in present-day Pakistan and India. Some favour Babur the pioneer and others his great-grandson, Shah Jahan (r. 1628-1658), builder of the Taj Mahal and other magnificent buildings. The other two towering figures of the era by general consensus were Akbar (r. 1556-1605) and Aurangzeb (r. 1658-1707). Both rulers expanded the empire greatly and were able administrators. However, Akbar was known for his religious tolerance and administrative genius, whereas Aurangzeb was a zealous ruler and fierce proselytizer of orthodox Islam across the heterodox Indian landscape.Babur's favorite son Humayun took the reins of the empire after his father succumbed to disease at the young age of forty-seven. However, he lacked his father's craftiness and athleticism. Though he could be a formidable warrior when he chose to be, he was more laid back and indolent. He also was addicted to opium and depended on it for solace much more than a king with insecure borders should indulge in. He also made the mistake of trusting his three brothers, which served as a lesson to future Mughal rulers, who would not repeat this folly. Humayun made his brother Prince Kamran the regent in Kabul, who quickly added Panjab under his control. Humayun, appearing to be weak, did not object and this emboldened his two other brothers, Askari and Hindal to seek more independence.Humayun's first campaign was to confront a Sher Khan Sur, an Afghan, who was quietly expanding his territory in the east. Half way through the counter offensive Humayun had to abandon it and concentrate on Gujarat, where a threat from Ahmed Shah had to be squelched. In this he succeeded and annexed Gujarat and Malwa. Champaner and the great fort of Mandu followed next. Following this great triumph, Humayun made another tactical error in installing his brother Prince Askari in Ahmadabad instead of the defeated Ahmed Shah as a feudatory. To savor his victory, Humayun celebrated in Mandu fort for many months, binging on opium and spending too much time in the company of his favourites. When he finally headed home to Agra, he found his brother Askari at his doorstep making a serious bid for the throne. Though his older brother thwarted this effort, Askari was pardoned, which only exhibited royal weakness to his loyal subjects.Humayun again fell into one of his many periods of laziness and lassitude and resorted to his pipe and playmates. All this time he also neglected to confront Sher Khan Sur, who was gathering land and feudatories in the east. As an administrator Sher Khan was far superior to Humayun. In 1539, Humayun and Sher Khan met in battle in Chausa, between Varanasi and Patna. Humayun barely escaped with his own life and in the next year, in 1540, his army of 40,000 lost to the Afghan army of 15,000 of Sher Khan. Humayun's brothers refused to help him and he found himself a fugitive in Rajastan and Sindh.Finally, the Shah of Iran, Shah Tamasp, gave him refuge in Persia. Of course, Humayun put his famous diamond to full diplomatic use because Shah Tamasp was a lover of diamonds. Koh-I-Noor, would serve as the bribe that the Shah Tamasp needed to support Humayun with a large Persian military offensive on Sher Khan Sur in 1544. Humayun found fraternal opposition again in Kandahar, where he was stalled for eight years but eventually won back Afghanistan.Sher Khan had now become the monarch in Delhi under the name Sher Shah Sur and ruled from 1540 to 1545. He consolidated his kingdom form Panjab to Bengal (first one to enter Bengal after Ala-ud-din Khilji did more than two centuries earlier). But Sher Shah tragically died in an accidental explosion of gunpowder during an offensive in Kalinjar. A superb administrator, he was credited to have organized the government and military in such a way that future Mughal kings used it as their own models. He also added to the fort in Delhi (supposed site of Indraprastha), first started by Humayun, and now called the Purana Qila or the old fort. He built the mosque Qila-I-Kuhna there that was a masterpiece of the period, though only parts of it have survived.The charred remains of Sher Shah were taken to a tomb in Sahasaram, midway between Varanasi and Gaya. Although rarely visited, it is another glorious triumph in architecture that the future great Mughal builders like Akbar, Jahangir and Shah Jahan tried to emulate. Massive in scale, three stories and fifty meters high, it appears as much a palace as a mausoleum. Sher Shah's son Islam Shah held on to power until 1553 and following his death the Sur dynasty lost most of its clout due factious strife and severe famine.In 1554, Humayun attacked the confused and divided state of Sur rulers and in 1555 claimed Delhi again. But in 1556 tragedy struck the Mughals when Humayun tripped and fell to his death while descending the steps after gazing at the stars (he was a keen astronomer) from the rooftop of Sher Shah's Delhi palace. Thus Humayun ruled in India barley for ten years and died at the age of forty-eight, leaving behind a thirteen-year-old boy, Akbar as his heir. As a tribute to his father, Akbar later built the Humayun's tomb in Delhi (completed in 1571), from red sandstone, of majestic outline that would become the precursor of future Mughal architecture. Akbar's mother and Humayun's wife Hamida Begum personally supervised the building of the tomb.Akbar succeeded his father, Humayun (r. 1530-1540 and 1555-1556), whose rule was interrupted by the Afghan Sur Dynasty, which rebelled against him. It was only just before his death that Humayun was able to regain the empire and leave it to his son. In restoring and expanding Mughal rule, Akbar based his authority on the ability and loyalty of his followers, irrespective of their religion. In 1564 the jizya on non-Muslims was abolished, and bans on temple building and Hindu pilgrimages were lifted.Akbar's methods of administration reinforced his power against two possible sources of challenge-the Afghan-Turkish aristocracy and the traditional interpreters of Islamic law, the ulama. He created a ranked imperial service based on ability rather than birth, whose members were obliged to serve wherever required. They were remunerated with cash rather than land and were kept away from their inherited estates, thus centralizing the imperial power base and assuring its supremacy. The military and political functions of the imperial service were separate from those of revenue collection, which was supervised by the imperial treasury. This system of administration, known as the mansabdari, was based on loyal service and cash payments and was the backbone of the Mughal Empire; its effectiveness depended on personal loyalty to the emperor and his ability and willingness to choose, remunerate, and supervise.Akbar declared himself the final arbiter in all disputes of law derived from the Qur'an and the sharia. He backed his religious authority primarily with his authority in the state. In 1580 he also initiated a syncretic court religion called the Din-i-Ilahi (Divine Faith). In theory, the new faith was compatible with any other, provided that the devotee was loyal to the emperor. In practice, however, its ritual and content profoundly offended orthodox Muslims. The ulama found their influence undermined. The concept of Islam as a superior religion with a historic mission in the world appeared to be compromised. The syncretism of the court and its tolerance of both Hindus and unorthodox Shia sects among Muslims triggered a reaction among Sunni Muslims. In the fratricidal war of succession that closed the reign of Akbar's grandson Shah Jahan in 1658.Prince Salim (b. 1569 of Hindu Rajput princess from Amber), who would later be known as Emperor Jahangir showed signs of restlessness at the end of a long reign by his father Akbar. During the absence of his father from Agra he pronounced himself as the king and turned rebellious. Akbar was able to wrestle the throne back but the prince was showing no signs of remorse. There was also an unconfirmed story of strained relationship between father and son due to Salim's amorous advances to an ordinary dancing girl. Deeply in love and enchanted by the dancing girl, Anarkali, who was of common birth, Salim was ready to make her his queen. This union, surprisingly, was said to have been unacceptable to Akbar and the girl was abducted and executed. Though the historians do not mention the existence of such a girl called Anarkali, the folklore certainly has survived. This also might have exacerbated the strain between the monarch and the prince.Salim did not have to worry about his sibling's aspirations to the throne. His two brothers, Murad and Daniyal, had both died early from alcoholism. Ironically a similar fate would await Salim at the end of his reign when he also succumbed to the ill effects of excessive drinking. But his challenge came from a surprising member of his family. His son Khusrau was favoured by the nobles and made an attempt to unseat Salim, who by 1602 had proclaimed himself as the emperor and renamed himself Jahangir (World Conqueror). Khusrau laid siege to Lahore but was captured by Jahangir and blinded. The cruelty of the previous Sultans of Delhi had now pervaded into the Mughal emperors. Hitherto unknown fraternal and filial murder and torture at the time of succession was to become the norm and almost expected in the kingdom. Jahangir explained that a king should consider no man his relation and sovereignty did not regard the relation between father and son. Treacherous perfidy during succession would not shock any future Mughal heirs.Jahangir began his era as a Mughal emperor after the death of Akbar in the year 1605. He considered his third son Prince Khurram (future Shah Jahan-born 1592 of Hindu Rajput princess Manmati), his favourite. Rana of Mewar and Prince Khurram had a standoff that resulted in a treaty acceptable to both parties. Khurram was kept busy with several campaigns in Bengal and Kashmir. Jahangir claimed the victories of Khurram - Shah Jahan as his own. However, Kandahar, which had been won by Akbar, was lost to Persia's Shah Abbas. Further defeats were handed in Northern Afghanistan. Some success was at hand in the Deccan when an African slave, Malik Ambar, brought from Baghdad, serving under the sultante of Ahmadnagar, helped Khurram-Shah Jahan.The monarch meanwhile was basking in the glory of his son's victories. He also had unlimited sources of revenue largely due to a systematic organization of the administration by his father, Akbar. The opulence of the Mughals had reached its pinnacle during Jahangir and Shah Jahan's rule, thanks to Akbar's foresight. Jahangir built his famous gardens in Kashmir and spent much time relaxing and delegating his work to others. One such person was Jahangir's wife, Nur Jahan, whom he married in 1611. She was the thirty-year-old widow of one of his Afghan nobles. Her father, Persian born Itimad-ud-Daula became a minister and closest advisor to the emperor. Very able Nur Jahan along with her father and brother Asaf Khan, who was a successful general, ran the kingdom. Jahangir was the monarch in absentia. Addicted to alcohol, he was content to let his wife govern.After the fiasco in Kandahar, the relationship between Khurram and Jahangir soured. Khurram suspected that Nur Jahan favoured her son-in-law Prince Shariyar (son of Jahangir from a slave), who was married to her daughter Ladli Begum, from her first marriage. Khurram was in rebellion with his father and in this the African slave Malik Ambar and Nur Jahan's brother Asaf Khan aided him. Khurram- Shah Jahan was married to Asaf Khan's daughter Mumtaz Mahal. Prince Shariyar was murdered and Nur Jahan spent her last years building a tomb for her father Itimad-ud-Daula in Agra. She could have little influence over the willful Shah Jahan or her niece Mumtaz Mahal.Jahangir had kept a diary that can pass marginally as memoirs. He describes inane and insignificant details of his garden and daily happenings around the palace. It only serves to give a glimpse of the emperor's life in a superficial way. Though not a soldier, Jahangir was an ardent patron of Mughal art and an avid builder. He built Akbar's five-tiered tomb in Sikandra. The emperor kept busy building in Lahore, Allahabad and Agra. While the de facto emperor, Nur Jahan was attending to administrative details, Jahangir found solace in loitering in his gardens and appreciating art and nature.The darkest incident of his rule perhaps was the disposition of a peaceful leader of newly formed religion called Sikhism. Akbar had watched the blossoming of the new religion founded by Guru Nanak, with fascination. Jahangir, in a controversy with its leader, was responsible for the death of Sikh Guru Arjan Singh (who died in Mughal prison) and this would have lasting consequences for future Mughal emperors. The peaceful religion of Sikhism would turn militant later when Jahangir's grandson Aurangzeb murdered the ninth Sikh Guru Tegh Bahadur. Jahangir, the laid back emperor died in 1627 from alcohol abuse and Prince Khurram-Shah Jahan's reign as the emperor began.Prince Khurram, who would later be known as Emperor Shah Jahan, ascended to the throne after a tumultuous succession battle worthy of a Mughal Prince. His own father,Jahangir, had already handicapped Khusrau, when the son aspired to unseat the father. Younger brother Prince Khurram promptly had him killed, as fraternal ambitions were not to be encouraged, even though the wretched Prince Khusrau was blind. Prince Shariyar, Nur Jahan's son-in-law had lost his bid to the throne and murdered by Khurram's father-in-law, Asaf Khan (also Nur Jahan's brother). Another brother Parwiz was of no consequence.With the wealth created by Akbar, the Mughal kingdom was probably the richest in the world. Prince Khurram gave himself the title of Shah Jahan, the ‘King of the World' and this was the name that was immortalized by history. With his imagination and aspiration, Shah Jahan gained a reputation as an aesthete par excellence. He built the black marble pavilion at the Shalimar Gardens in Srinagar and a white marble palace in Ajmer. He also built a tomb for his father, Jahangir in Lahore and built a massive city Shahajanabad in Delhi but his imagination surpassed all Mughal glory in his most famous building Taj Mahal. It was in Shahajanabad that his daughter Roshanara built the marketplace called Chandni Chowk. His beloved wife Arjuman Banu (daughter of Asaf Khan and niece of Nur Jahan) passed away while delivering their fourteenth child in the year 1631. The distraught emperor started building a memorial for her the following year. The Taj Mahal, named for Arjuman Banu, who was called Mumtaz Mahal, became one of the Seven Wonders of the World. The beauty of the white marble structure is unsurpassed. Almost four hundred years later it still is the awe inspiring place where lovers hold hands and swoon over each other. The thrill one feels at the first sight of Taj Mahal through its main archway is beyond description.The great Juma Masjid built by him was the largest in India at the time. Shah Jahan also built or renovated forts in Delhi and in Agra. White marble chambers that served as living quarters and other halls for public audiences are examples of classic Mughal architecture. Here in Agra fort, Shah Jahan would spend eight of his last years as a prisoner of his son, Aurangzeb shuffling between the hallways of the palace, squinting at the distant silhouette of his famous Taj Mahal on the banks of River Jamuna.Shah Jahan's earlier years were spent in doing his father's bidding in various campaigns and territorial expansion. However, the territories gained were significant only in a symbolic way. In fact, land and prestige was lost in Kandahar and Northern Afghanistan. The dream of Babur to extend the empire into and beyond Afghanistan into the homeland of the Timurs in Samarkhand was permanently shelved by his progeny, after the humiliating defeats in Kandahar in the hands of Persian king. Never again would a Mughal venture into the northwest. In Deccan, Shah Jahan had initial failures in the hands of an African habshi (Negro) slave from Baghdad, a Malik Ambar, who was under the Bijapur sultan. Later, however, he joined Shah Jahan and helped him quell the threat from his brothers who had aspirations to conquer the throne. Golconda (Hyderabad) and Bijapur (Karnataka), two powerful states of the south were forced to become vassal states but were left alone to govern as they pleased. At least on paper Shah Jahan's empire had extended deep into the south in Deccan and beyond. The cover of Mughal suzerainty only helped the southern sultanates to extend their borders well into Chola heartland of Tamil Nadu and Mysore. Muslim rule, now effectively extended to the mouth of Kaveri River.Though Khurram was the favoured son of Jahangir in his earlier days, the influence of Nur Jahan on the emperor had a deleterious effect on his relationship with his father. She was trying to prop up her own son-in-law, a brother of Shah Jahan as the legal heir. This alarmed Shah Jahan and with the help of his father-in-law and Malik Ambar he was able to muscle his way into Delhi and pronounce himself the emperor. In September of 1657, Shah Jahan, in his waning years, suffered from acute constipation and rumours of his imminent death spread rapidly through the land. The potential successors to the throne, four brothers, were alarmed and moved with haste to claim the throne. His third son Aurangzeb eventually claimed the empire, in the year 1658. Shah Jahan would recover from his illness only to spend his last days as an old and decrepit man, imprisoned by his son Aurangzeb, in the fort in Agra. There he was to remain in house arrest for eight years watching the magnificent monument he had built for his beloved wife Mumtaz. Shah Jahan died in the year 1666, at age seventy-four, eight years after losing his throne to his son. He was interned in the Taj Mahal, next to his beloved wife Mumtaz Mahal.The aristocracy supported the austere military commander Aurangzeb against his learned and eclectic brother Dara Shikoh, whom Aurangzeb defeated in battle and later had decapitated in 1662.Aurangzeb's reign ushered in the decline of the Mughal Empire. Aurangzeb, who in the latter half of his long rule assumed the title «Alamgir» or «world-seizer», was known for aggressively expanding the empire's frontiers and for his militant enforcement of orthodox Sunni Islam. He hated non-believers and destroyed many Hindu and Buddhist temples throughout India. During his reign, the Mughal empire reached its greatest extent, although it is likely that his policies also led to its dissolution. Still, there is some belief that his policies may have slowed the decline of the Empire rather than precipitated it. Although he was an outstanding general and a rigorous administrator, Mughal fiscal and military standards declined as security and luxury increased. Land rather than cash became the usual means of remunerating high-ranking officials, and divisive tendencies in his large empire further undermined central authority.Extent of Mughal empire in the late 1600s: the Mughals ruled all but the southern tip of the subcontinent.In 1679 Aurangzeb reimposed the hated jizyah on Hindus. Coming after a series of other taxes and also discriminatory measures favouring Sunni Muslims this action by the emperor, incited rebellion among Hindus and others in many parts of the empire-Jat, Sikh, and Rajput forces in the north and Maratha forces in the Deccan. The emperor managed to crush the rebellions in the north, but at a high cost to agricultural productivity and to the legitimacy of Mughal rule. Aurangzeb was compelled to move his headquarters to Daulatabad in the Deccan to mount a costly campaign against Maratha guerrilla fighters led by Shivaji, which lasted twenty-six-years until he died in 1707 at the age of ninety. Aurangzeb, oppressed by a sense of failure, isolation, and impending doom, lamented that in life he «came alone» and would «go as a stranger».In the century - and one-half that followed, effective control by Aurangzeb's successors weakened. Succession to imperial and even provincial power, which had often become hereditary, was subject to intrigue and force. The mansabdari system gave way to the zamindari system, in which high-ranking officials took on the appearance of hereditary landed aristocracy with powers of collecting rents. As Delhi's control waned, other contenders for power emerged and clashed, thus preparing the way for the eventual British takeover.Later MughalsWhen Aurangzeb died close to the age of ninety, there were seventeen legitimate claimants to the throne that included not only his sons but also his grandsons and great grandsons. After the death of the emperor two brothers fought near Agra (in the same battle site that Aurangzeb had fought his brother Dara Shikoh. Prince Muazzam prevailed and killed his brother Prince Azam Shah and assumed the title Bahadur Shah I (or Shah Alam I). Another brother entered the fight a year later and was killed. Bahadur Shah was well in his sixties when he took control of the empire and soon died in 1712. During those five years he was busy fighting the insurgents in Rajastan and Panjab. Then in 1708 the last Sikh guru, Gobind Singh disappred by his spiritul power . Sikhs under Guru Gobind Singh had already transformed into a radical group after the execution of Guru Teg Bahadur by Aurangzeb. A year later a Banda Bahadur relentlessly stormed Muslim towns and became a thorn on the Mughal emperor's side.Bahadur Shah's son Jahandar Shah succeeded after his death. However, during his tenure he gained a reputation as a womanizing drunk whose outrageous mistress Lal Kunwar took full advantage of the emperor's condition and enriched herself as well as her brood. Jahandar Shah was killed in 1713 and then Bahadur's grandson Farrukhsiyar acceded to the throne. With the help of two brothers called Saiyids, Farrukhsiyar restored some sanity to the Mughal rule. Later the Saiyids became intolerable to the emperor and one of them was sent away from Delhi to Deccan and the other was kept in constant watch in Delhi. In Deccan Saiyid Husain Ali Khan colluded with the Marathas and attacked Delhi and using trickery and intrigue seized Farrukhsiyar in the Red Fort. The emperor was blinded and caged and later poisoned as well as stabbed to death. However, prior to his death, Farrukhsiyar had the dubious distinction of aiding the British to have a firm foothold in India, by signing the much-coveted farman (an imperial directive) that would seal the future of British takeover of India.A wretched youth, Shah Jahan II was made to occupy the throne after the murder of Farrukhsiyar but his rule lasted only three months. The Saiyids enthroned another pawn, Muhammad Shah as the Mughal emperor. He had an unexpected reign of close to thirty years. The Saiyids were disposed off but the emperor had little penchant for ruling. It was during his rule the notorious raids of Delhi by Nadir shah of Persia and the Afghan Ahmad Shah Abdali took place.Marathas were now constantly attacking Delhi. Of more consequence and humiliating was the plunder of Delhi by Nadir Shah. A Timur descendent, Nadir Shah usurped the throne in Persia and seized Kandahar and Kabul. He marched through Panjab and was invited by Muhammad Shah as a guest to Delhi (only because he had neither the will nor the resources to fight him). Within forty-eight hours, using a lame excuse, Nadir Shah ordered a general massacre of Delhi citizens and looted every bit of wealth they could extort out of the royalty as well as Delhi's citizenry. Nadir Shah remained in Delhi for forty eighty days and departed with millions worth of gold, jewelry and coins. Even the emperor's throne, the bejeweled peacock throne of Shah Jahan was packed on elephants and carried away to Persia. Another prize, the Koh-I-nur diamond (Humayun's diamond now passed back into Persian hands). To add insult to injury, the Shah humiliated the emperor by re-crowning him as the Mughal emperor in an ignoble celebration. Later an Afghani, Ahmad Shah Abdali started his incursions into Delhi just for the purpose of looting the capital. In a series of attacks starting in 1748 until 1761, Abdali would not only pillage and loot Delhi, he also cleaned out Mathura, Kashmir and cities in Panjab. From the east the British defeated the Nawab of Bengal and occupied the state of Bengal. The vast Mughal Empire was coming undone at its seams. The fortunes of the British in India were intertwined with the misfortunes of the Mughals.The raids by Nadir Shah and repeated incursions of Abdali resulted in quick disposal of the next two emperors Ahmad Shah and Alamgir II until in 1759 Shah Alam II ascended the throne. His reign would last several decades. However, he would preside over more loss of territory to the British. When the Nawab of Bengal lost to Robert Clive, Shah Alam II was forced to recognize Clive as a diwan (chancellor) and Bengal slipped to the British hands permanently. Shah Alam II ruled well until his eighties and died as sightless wretch dressed in rags when an army from Bengal led by General Gerald Lake stormed Delhi and Agra. The Marathas like Scindias, Holkars and the Nagpur Bhonsles also had to relinquish power to the British and the British would now boast that they were complete masters of the whole of India.In 1806 Shah Alam's son Akbar Shah II acceded to the much diminished empire of the Mughals and ruled until 1837. His son Bahadur Shah Zafar II would be the last emperor of Mughals before the British deposed him in 1858 and the Mughal dynasty would officially come to a dishonourable end. During the Indian Rebellion of 1857, Bahadur Shah II was forced to take the side of the mutineers though he had no power to affect the outcome of the events. The mutineers had outwitted his British sponsors and now the emperor neither had the troops nor the competence. He had no choice but to join the winning side. However, the success of the mutineers was soon reversed and the octogenarian (he was eighty-two years old) was relieved of his empire and deposed in 1858. The British also unleashed a flurry of revenge attacks on Delhi as well as luckless Bahadur Shah. Two of his sons and a grandson were shot while in custody. The emperor was then exiled to Rangoon in Burma where he died in obscurity in 1862.The glory of the Mughal kingdom established in 1526 by the tiger from Kabul, Babur would end in 1858 and India's fate was in the hands another expansionist foreign force, the imperial British.Arrival of the EuropeansVasco da Gama led the first documented European expedition to India, sailing into Calicut on the southwest coast in 1498. In 1510 the Portuguese captured Goa, which became the seat of their activity. Under Admiral Alfonso de Albuquerque, Portugal successfully challenged Arab power in the Indian Ocean and dominated the sea routes for a century. Jesuits came to convert, to converse, and to record observations of India. The Protestant countries of the Netherlands and England, upset by the Portuguese monopoly, formed private trading companies at the turn of the seventeenth century to challenge the Portuguese.Mughal officials permitted the new carriers of India's considerable export trade to establish trading posts (factories) in India. The Dutch East India Company concentrated mainly on the spice trade from present-day Indonesia. Britain's East India Company carried on trade with India. The French East India Company also set up factories.An engraving titled «Sepoy Indian troops dividing the spoils after their mutiny against British rule» gives a contemporary view of events from the British perspective.During the wars of the 18-th century, the factories served not only as collection and transshipment points for trade but also increasingly as fortified centres of refuge for both foreigners and Indians. British factories gradually began to apply British law to disputes arising within their jurisdiction. The posts also began to grow in area and population. Armed company servants were effective protectors of trade. As rival contenders for power called for armed assistance and as individual European adventurers found permanent homes in India, British and French companies found themselves more and more involved in local politics in the south and in Bengal. Plots and counterplots climaxed when British East India Company forces, led by Robert Clive, decisively defeated the larger but divided forces of Nawab Sira-jud-Dawlah at Plassey (Pilasi) in Bengal in 1757.The tale of the Marathas' rise to power and their eventual fall contains all the elements of a thriller: adventure, intrigue, and romanticism. Maratha chieftains were originally in the service of Bijapur sultans in the western Deccan, which was under siege by the Mughals.Shivaji Bhonsle (1627-1680) a tenacious and fierce fighter recognized as the «father of the Maratha nation», took advantage of this conflict and carved out his own principality near Pune, which later became the Maratha capital. Adopting guerrilla tactics, he waylaid caravans in order to sustain and expand his army, which soon had money, arms, and horses. Shivaji led a series of successful assaults in the 1660s against Mughal strongholds, including the major port of Surat. In 1674 he assumed the title of «Lord of the Universe» at his elaborate coronation, which signaled his determination to challenge the Mughal forces as well as to reestablish a Hindu kingdom in Maharashtra, the land of his origin. Shivaji's battle cries were swaraj (translated variously as freedom, self-rule, independence), swadharma (religious freedom), and goraksha (cow protection). Aurangzeb relentlessly pursued Shivaji's successors between 1681 and 1705 but eventually retreated to the north as his treasury became depleted and as thousands of lives had been lost either on the battlefield or to natural calamities. In 1717 a Mughal emissary signed a treaty with the Marathas confirming their claims to rule in the Deccan in return for acknowledging the fictional Mughal suzerainty and remission of annual taxes. Yet the Marathas soon captured Malwa from Mughal control and later moved east into Orissa and Bengal; southern India also came under their domain. Recognition of their political power finally came when the Mughal emperor invited them to act as auxiliaries in the internal affairs of the empire and still later to help the emperor in driving the Afghans out of Punjab.The Marathas, despite their military prowess and leadership, were not equipped to administer the state or to undertake socioeconomic reform. Pursuing a policy characterized by plunder and indiscriminate raids, they antagonized the peasants. They were primarily suited for stirring the Maharashtrian regional pride rather than for attracting loyalty to an all-India confederacy. They were left virtually alone and without supplies before the invading Afghan forces, headed by Ahmad Shah Abdali (later called Ahmad Shah Durrani), who routed them on the blood-drenched battlefield at Third Battle of Panipat|Panipat in 1761. The shock of defeat hastened the break-up of their loosely knit confederacy into five independent states and extinguished the hope of Maratha dominance in India.The Nizams of HyderabadMaratha raids into Berar, Kandesh, Gujarat and Malwa resumed after the death of Aurangzeb, and loosened Mughal control in the Deccan. In 1724 Asaf Jah, the Mughal Nizam ul Mulk, or viceroy, of the Deccan, defeated several contenders for control of the Mughal southern provinces, and established himself of ruler of an independent state with its capital at Hyderabad. He and his successors ruled as hereditary Nizams, and their state, known as Hyderabad after the capital, outlasted the Mughal empire, persisting until it was incorporated into newly -independent India in 1948.The state of Hyderabad was formed by Nizam-ul-Mulk Asaf Jahi in 1724.He was a strong ruler & established an orderly system of administration.He also attempted to reform the revenue system.The dynasty founded by him came to be known as the Asaf Jahi dynasty.His successors were known as Nizams...The Afghan defeat of the Maratha armies accelerated the breakaway of Punjab from Delhi and helped the founding of Sikh overlordship in the northwest. Rooted in the bhakti movements that developed in the second century B.C. but swept across North India during the fifteenth and sixteenth centuries, the teachings of the Sikh gurus appealed to the hard-working peasants. Facing extended persecution from the Mughals, the Sikhs, under Guru Gobind Singh formed the Khalsa (Army of Pure). The khalsa rose up against the economic and political repressions in Punjab toward the end of Aurangzeb's rule. Guerrilla fighters took advantage of the political instability created by the Persian and Afghan onslaught against Delhi, enriching themselves and expanding territorial control. By the 1770s, Sikh hegemony extended from the Indus in the west to the Yamuna in the east, from Multan in the south to Jammu in the north. But the Sikhs, like the Marathas, were a loose, disunited, and quarrelsome conglomerate of twelve kin-groups. It took Ranjit Singh (1780-1839),an individual with modernizing vision and leadership, to achieve supremacy over the other kin-groups and establish his kingdom in which Sikhs, Hindus, and Muslims lived together in comparative equality and increasing prosperity. Ranjit Singh employed European officers and introduced strict military discipline into his army before expanding into Afghanistan, Kashmir, and Ladakh.An Indian depiction of a 17-th century Dutch ship off the Coromandel CoastThe quest for wealth and power brought Europeans to Indian shores in 1498 when Vasco da Gama, the Portuguese voyager, arrived in Calicut (modern Kozhikode, Kerala) on the west coast. In their search for spices and Christian converts, the Portuguese challenged Arab supremacy in the Indian Ocean, and, with their galleons fitted with powerful cannons, set up a network of strategic trading posts along the Arabian Sea and the Persian Gulf. In 1510 the Portuguese took over the enclave of Goa, which became the center of their commercial and political power in India and which they controlled for nearly four and a half centuries.Economic competition among the European nations led to the founding of commercial companies in England (the East India Company, founded in 1600) and in the Netherlands (Verenigde Oost-Indische Compagnie - the United East India Company, founded in 1602), whose primary aim was to capture the spice trade by breaking the Portuguese monopoly in Asia. Although the Dutch, with a large supply of capital and support from their government, preempted and ultimately excluded the British from the heartland of spices in the East Indies (modern-day Indonesia), both companies managed to establish trading «factories» (actually warehouses) along the Indian coast. The Dutch, for example, used various ports on the Coromandel Coast in South India, especially Pulicat (about twenty kilometers north of Madras), as major sources for slaves for their plantations in the East Indies and for cotton cloth as early as 1609. (The English, however, established their first factory at what today is known as Madras only in 1639.) Indian rulers enthusiastically accommodated the newcomers in hopes of pitting them against the Portuguese. In 1619 Jahangir granted them permission to trade in his territories at Surat (in Gujarat) on the west coast and Hughli (in West Bengal) in the east. These and other locations on the peninsula became centers of international trade in spices, cotton, sugar, raw silk, saltpeter, calico, and indigo.English company agents became familiar with Indian customs and languages, including Persian, the unifying official language under the Mughals. In many ways, the English agents of that period lived like Indians, intermarried willingly, and a large number of them never returned to their home country. The knowledge of India thus acquired and the mutual ties forged with Indian trading groups gave the English a competitive edge over other Europeans. The French commercial interest--Compagnie des Indes Orientales (East India Company, founded in 1664) - came late, but the French also established themselves in India, emulating the precedents set by their competitors as they founded their enclave at Pondicherry (Puduchcheri) on the Coromandel Coast.In 1717 the Mughal emperor, Farrukhsiyar (r. 1713-1719), gave the British - who by then had already established themselves in the south and the west--a grant of thirty-eight villages near Calcutta, acknowledging their importance to the continuity of international trade in the Bengal economy. As did the Dutch and the French, the British brought silver bullion and copper to pay for transactions, helping the smooth functioning of the Mughal revenue system and increasing the benefits to local artisans and traders.The fortified warehouses of the British brought extraterritorial status, which enabled them to administer their own civil and criminal laws and offered numerous employment opportunities as well as asylum to foreigners and Indians. The British factories successfully competed with their rivals as their size and population grew. The original clusters of fishing villages (Madras and Calcutta) or series of islands (Bombay) became headquarters of the British administrative zones, or presidencies as they generally came to be known. The factories and their immediate environs, known as the White-town, represented the actual and symbolic preeminence of the British - in terms of their political power - as well as their cultural values and social practices; meanwhile, their Indian collaborators lived in the Black-town, separated from the factories by several kilometres.The British company employed sepoys - European-trained and European-led Indian soldiers - to protect its trade, but local rulers sought their services to settle scores in regional power struggles. South India witnessed the first open confrontation between the British and the French, whose forces were led by Robert Clive and François Dupleix, respectively. Both companies desired to place their own candidate as the nawab, or ruler, of Arcot, the area around Madras. At the end of a protracted struggle between 1744 and 1763, when the Peace of Paris was signed, the British gained an upper hand over the French and installed their man in power, supporting him further with arms and lending large sums as well. The French and the British also backed different factions in the succession struggle for Mughal viceroyalty in Bengal, but Clive intervened successfully and defeated Nawab Siraj-ud-daula in the Battle of Plassey (Palashi, about 150 kilometres north of Calcutta) in 1757. Clive found help from a combination of vested interests that opposed the existing nawab: disgruntled soldiers, landholders, and influential merchants whose commercial profits were closely linked to British fortunes.Later, Clive defeated the Mughal forces at Buxar (Baksar, west of Patna in Bihar) in 1765, and the Mughal emperor (Shah Alam, r. 1759-1806) conferred on the company administrative rights over Bengal, Bihar, and Orissa, a region of roughly 25 million people with an annual revenue of 40 million rupees (for current value of the rupee). The imperial grant virtually established the company as a sovereign power, and Clive became the first British governor of Bengal.Besides the presence of the Portuguese, Dutch, British, and French, there were two lesser but noteworthy colonial groups. Danish entrepreneurs established themselves at several ports on the Malabar coast and the Coromandel coast notably Tranquebar, in the vicinity of Calcutta, and inland at Patna between 1695 and 1740. Austrian enterprises were set up in the 1720s on the vicinity of Surat in modern-day southeastern Gujarat. As with the other non-British enterprises, the Danish and Austrian enclaves were taken over by the British between 1765 and 1815.
Коментари: 0 Разглеждани: 1370 Група: History of Indi...
Shining in the morning light, the gilded splendor of its paneling and big dome and small minarets, this temple is a fairy world palace to the devotees of the Sikh faith. Certainly, the first look brings onto the innocent eye the image of a transcendent fact The «loving sight» peering into heaven from the legends of the miraculous cures by the touch of the water in the pool of nectar, in which the shrine stands makes for ecstatic awareness. The vision has been received by millions of pilgrims who have come here for centuries from near and far.The actual construction had modest beginnings: A mud-house was constructed by Guru Amar Das, who is said to have found on the edge of the pool the magical herb which cured a skin ailment of his master Guru Angad. The Amrit Sarovar remained a village tank, until the fourth Guru Ram Das began to carry out the plans of his mentor for a more permanent structure in brick.Chak, Chak-Guru, Guru-ka-chak, Chak-Guru-Ram-Das, Ram-Das-Pura, were the names of Amritsar in those times. The temple on the banks of the pool of nectar was surrounded by the houses of the craftsmen from the towns of Patti, Kasur and Kalanur, who came to build the holy place. The only market was then called Guru-ka-bazar, still known by that name, though more populous.Guru Arjan Dev, the fifth. master, who came to the spiritual throne in 1581, felt from the growing popularity of the shrine as a pilgrim center the need to have the tank paved on the four sides and the steps of Hari Mandir bricked. The devotees joined to construct the temple, which would be lived in during the everyday life, where the infinite mystery would be revealed to those who may want to see. Already, however, the demand to create a paradise on earth became urgent, from the vision of Arjan Dev, of many simple hearts coming, with dipped eyes over joined hands, to pray and touch the holy water on their foreheads. So this Guru had the structure of the Hari Mandir planned in such a way that the outsight, might afford the insight. The present causeway leading to the Hari Mandir was then designed, with the rectangular shape of the circumambulatory walk ending at the gateway, from which the path to Reality began. And to combine, symbolically, the noblest truth of Islam about One God with the faith in the Hindu God Hari and his many incarnations, the Muslim divine, Mian Mir of Lahore, is said to have been invited by Guru Arjan Dev to lay the foundation stone of the temple in A.D. 1588. The structure of the shrine also mixed the rectangular form of the Hindu temple with the dome and minarets of the Muslims.Hallowed by the meditations of holymen, the blood of martyrs defending the Sikh faith against imperial oppression, a refuge to the sick and weary, the faithful held on to the center against many onslaughts and the rhythms of the universal life seemed to secure the pilgrims in the belief that the essential self exists in and through and behind the flow of the obvious states.And as the universe of calm survived in the midst of all the inclemency of change, the first Sikh Emperor, Maharaja Ranjit Singh, made the pool of nectar the spiritual capital, while Lahore was the temporal seat of his newly founded kingdom. The gilding of the embossed plate, above the marble skirt of the Hari Mandir, the renewal of the pietre dure, the embellishment of the interior, with lovely ceilings, adorned with Horal reliefs and little mirrors, were all renovated, finished and perfected under the patronage of the great general, so that men and women may brood upon the inner splendor, after gazing at the beauty and wonder of the outer house and body of God.The Sikhs have always retained, in spite of the militancy they were forced to adopt to defend their order against the, enemies of their reformation, the injunction of Guru Nanak that you can range from yourself to the stars and the moral law, if you contemplate the Nam in the quiet of your heart.As an eclectic monument, which has grown from the devotion of the folk, as much as through the skill of the craftsmen of the guilds, the Golden Temple achieves the kind of romantic glory which flouts convention, answers to the mood of astonishment, and compels humility before the inner sight.THE POOL OF NECTAROne of the most fascinating cities of northern India, Amritsar is also one of the most ancient and legendary sites in the Punjab. According to popular belief - which is doubtless of local origin - Valmiki wrote his celebrated epic, the Ramayana, near around this hallowed site of the «Pool of Nectar». It was here, too, that Sita stayed during the period of her vanavasa (banishment). Here again, the twin sons of Lord Rama, were taught the Ramayana. Yet another legend identifies the site of this pool with the place where the whole of Lord Rama's army was destroyed by his sons, Lava and Kusa, and relates how at that time a jug of nectar descended from heaven to restore the soldiers to life.Valmiki's ashram, it is said, lay within a short distance of the renowned «Pool of Nectar». In Valmiki's time, the area was a thick forest. There were around Valmiki's ashram some more tanks with historical associations. One such hexagonal tank, Ram Tirth, is at a distance of around 1.1 kilometres from Amritsar; the others are Ramsar, Santokhsar, Ram Talai and Durgiana.Guru Ram Das must have known-the legendary importance of the place when he sanctified the pool of nectar in the sixteenth century. The Sikh faith founded by the saint Nanak, of which Ram Das was the fourth Guru, was, in essence, a catholic and all-embracing faith. It took in its stride the egalitarian traditions of Islam and blended them with the transcendental wisdom of Hindu thought.Actually, it was in 1574 A.D., that Guru Ram Das made his home by the side of the pool, which was regarded as blessed with miraculous powers of healing. The place where the Guru lived was known as Guru-ka-Mahal.In 1577, Guru Ram Das, finding the air and water of his abode health-giving, purchased the pool and some surrounding land from its owners, the neighbouring Jats. Several times, Emperor Akbar had himself offered the grant of twelve villages to the pool, but the Guru had, on every occasion, declined the gift. One of the first acts of Guru Ram Das was to excavate the tank further, to construct a shrine at the centre.On the first day of Magh Sankranti Vikrami Samvat 1645 (1588 A.D.), the foundation stone of this temple was laid by the renowned Muslim Sufi divine, Hazrat Mian Mir of Lahore, at the specific request of Guru Arjan Dev. The followers of the Guru built their houses in the neighbourhood. And thus there speedily came into existence a small town called Ramdaspur. The town derived its later name, Amritsar, from the holy tank or the Pool of Immortality, ig the centre of which now stands the Hari Mandir or Darbar Sahib - nowadays more commonly known as the Golden Temple.The sacred building was completed by the son and successor of Guru Ram Das, Arjan Dev. In the lifetime of the fifth Guru, a flourishing town had begun to grow around the holy site. As the followers of Sikhism increased in number, the town grew in stature.This holy site became the religious resort not only of the Sikhs but also of members of various communities seeking asylum from Imperial oppression. The Sikh Gurus encouraged all, irrespective of caste and creed, to come to reside in Amritsar. Thus an atmosphere of religious tolerance prevailed. And the city became a kind of refuge not only for holy men but for fighters of freedom.Writing in 1831, V. Jacquemont observes: «This Rome of the Punjab has no Pope; the descendants of Nanak all live on the left bank of the Sutlej. The guardian of the sacred tank at Amritsar is only a rich sardar and the post is not hereditary in the family. According to my conductor, the present guardian S. Jiwan Singh refused to allow me within the enclosure marking the site of excavation of this celebrated pool, for the possession of which so many battles were fought in the Punjab in the last century. Many times the Mussalmans filled it with the ruins of the surrounding houses and soiled it with the victims of their cruel intolerance. But, when victory reopened to the Sikhs the gates of Amritsar, they carried out bloody reprisals and washed the steps of the sacred pool with the blood of Mussalmans. The two minarets which overlook it, though Muhammedan in style, were erected by the Sikhs not more than thirty years ago. Ranjit has a palace in the city on the edge of the pool; there are also others belonging to the leading Sardars of the Punjab.»By the second half of the eighteenth century, «the chiefs of different misls had gained influence over the city in separate small principalities or quarters called Katras, where they exercised their jurisdiction and executed civic administration. Assisted by Missar Chajju Mal, Sada Kaur ruled over Katra Kanhaiya; Sardar Jaimal Singh managed Katra Jaimal Singh, and Sardar Bhag Singh Bagha, a Sanskrit and Persian scholar and cannon-maker, was in charge of Katra Bhaggian. Katra Ramgarhia and Katra Ahluwalian were held jointly by Sardar Jassa Singh Ramgarhia and Nawab Jassa Singh Ahluwalia, the founder of Ahluwalia misl and of Kapurthala State. These chiefs built houses, Bungahs round the temple, roads, forts and bazars.»The Ramgarhia misl was closely associated with the city of Amritsar. This misl took its name from Ram Rauni or «Fortalice of God» at Amritsar, a mud work...«After Jassa Singh's death in 1803, a contract of friendship had been drawn up between Ranjit Singh and the Ramgarhia family at Amritsar before the Granth. Ranjit Singh stamped the papers with his open palm dyed with saffron... went to the Ramgarh fort and succeeded in capturing it with his artillery.» (Amritsar Past and Present by V. N. Datta, p. 23.)It was in 1803 that this town was incorporated in the dominion of Maharaja Ranjit Singh. The cultural, economic and political development of Amritsar was largely the work of this monarch who took great pains to make it the spiritual capital as well as the main commercial and cultural centre of his kingdom, while Lahore remained the political capital. He encouraged a great many nobles of the Lahore court and big merchants to settle in Amritsar. He expended large sums on the construction of a number of buildings.The Golden Temple, as it stands today, with its luminous exterior plated with gold is chiefly the work of Ranjit Singh. He ordered the architectural shape of the Golden Temple to be redesigned. He took deep interest in getting the temple artistically decorated. For this purpose the Maharaja, made a grant of Rs. 500,000 in 1808 A.D. and invited skilled Muslim architects, masons and wood-carvers from Chaniot, now in Pakistan. Yar Mohammad Khan Mistri was the technical expert for gold plating, carried out in 1830.Thus a group of Muslim architects, masons, carvers and other craftsmen were brought to Amritsar and lodged in a huge building known as Haveli Chaniotian, situated inside the Lahori Gate. (The Haveli Chaniotian was situated in Kucha Tarkhana, Gali Qabarwali. During the riots of 1947, this Haveli, along with its adjoining mosque, was demolished. The ruins of the mosque can still be.seen there, but there are absolutely no remnants of the haveli.) The entire Naqqashi (floral decoration) and Jaratkari (stone inlay) work was done by these artisans, under the supervision of Badaru-Mohiudin, the chief architect. After the death of Ranjit Singh in 1839, the task of completing the work fell on three Sikhs - Bhagwan Singh Jamadar, Mangal Singh Ramgarhia and Rai Bahadur Kalyan Singh. Later, when the Muslim craftsmen emigrated through lack of patronage, the rest of the work was completed by local Sikh and Hindu artisans.Maharaja Ranjit Singh was fond of giving paintings, gold ornaments and fine textiles as gifts, in the course of his diplomatic dealings. Thus he had invited and patronized a number of skilled artisans and accomplished painters from the Pahari regions of Himachal Pradesh, Delhi and Jodhpur. At his request, the Pahari painters (of whom only Parkhu's name is recorded) as well as some from Delhi, such as Jeevan Ram and Hasan-al-Din, came to settle in the plains of Punjab, both in Lahore and Amritsar. Along with the painters came the Pahari folk-songs and Pahari dishes as well.The courtyard of the Golden Temple was extended and remodeled in our own time. Amenities for hundreds of devotees who visited the town every day were provided with a view to attract more settlers. Ranjit Singh had displayed remarkable foresight in inviting the Marwari traders to settle in Amritsar, for he knew well that trade had an important part to play in the evolution of a society. (Among these eminent Marwaris of the time, Seth Radha Krishan, a social worker, and Padma Prakash Maheshwari deserve special mention.)During the reign of Ranjit Singh, a leading figure among these Marwari traders was Raja Vir Bhan: a scholar-priest, who brought along a number of Marwari merchants. He built a Saivite shrine, known as Vir Bhan-ka-Shivala (Vir Bhan was a devotee of Siva), inside the Ghee-Mandi Gate and commissioned painters to decorate its walls.Through Ranjit Singh's initiative, Amritsar became a flourishing business centre. A business street now known as Katra Ahluwalian was at first Nauriah Bazar, named after a well-known community of the Marwaris. There is a popular tale retold by the old folk which further substantiates the habitation of Marwaris in this area: It is said that the Marwaris entreated Ranjit Singh to lay the foundation stone of Katra Ahluwalian. It was a momentary slip on his part that he laid the first brick in a slanting position, whereupon a priest, who was present on the occasion, predicted: «It is inauspicious that this has happened thus; now, instead of prosperity and good fortune, the reverse would befall.» Ranjit Singh, the noble and generous king that he was, allotted each shop for a paltry rupee and a quarter by way of compensation against the threat of any future loss.Ranjit Singh also encouraged the nobles of his court to reside in Amritsar. This triple blend of trade, religion and aristocratic patronage was soon to find reflection in art and architecture. Numerous Hindu temples, palatial havelis and burjs (residences of the rich), akharas of the Mahants (priests), dharamshalas for the convenience of pious pilgrims, sprang up.Amritsar, beginning from its pool of nectar, has remained the humming center of millions of devotees, the caravanserai of travelers, the greatest trade center of northern India, and an inspiration in the struggle for freedom for four centuries. And it will remain, what it has been since its foundation, the source of the passion for unity of faiths, which the Sikh Gurus preached for generations, as well as of the love that the poet-saint Nanak brought to a troubled world.SRI HARI MANDIR SAHIBThe Hari Mandir, now called the Golden Temple, is a living symbol of the spiritual and historical traditions of the Sikhs. The tank and the temple have been a source of inspiration to the Sikh community ever since its foundation. It is evident from the Sikh chronicles that the Gurus exhorted their followers to accept all Sikh centers as places of pilgrimage. As Sri Hari Mandir Sahib was the first important holy shrine, it became, as the center of inspiration and action and the most significant achievement of the Gurus, the chief place of pilgrimage for the Sikhs.The origin of the place where the Sri Hari Mandir stands is shrouded in mystery. Some trace its origin to the pre-historic, Vedic-epic period as a place of considerable religious importance in the form of a Amrit Kund (Spring of Nectar). But the site seems to have lost its eminence under the sway of the Buddhist movement, which swept away most of the important Hindu holy places. Before its association with the Sikh Gurus, the site of the Hari Mandir was a low-lying area, with a small pond (at the present site of the Dukh Bhanjani Beri - Healer of Sorrows), set in jungle terrain, surrounded by tiny hamlets. But the place was on the route of caravans passing to the North-West frontier and other old trade centers. However, the site of the temple lay desolate before it began to be visited by the Sikh Gurus.Many popular myths and legends are connected with the origin of the Amrit Sarowar (Tank of Nectar). It is said that Guru Amar Das found on the banks of the pool the desired herb for the skin ailment of Guru Angad (the second Guru of the Sikhs). A persistent local tradition highlights the medicinal properties of the waters of the pond: Rajni, the daughter of Rai Dhuni Chand, a kardar (revenue collector) of Patti, brought her leper husband here and he was cured after having a dip in the pond. It is said that Ram Das (at that time, on a visit to a nearby area) came to the place to investigate the above episode and was so much impressed with the beauty of the surroundings that he decided to make it a pilgrim center.The actual idea of establishing various places of pilgrimage had been conceived by Guru Amar Das. The predominant factor which motivated the Guru was to initiate centers where the traditions of the faith could be preached. The second factor was the consideration for the peaceful settlement of his future successor, Ram Das. In order to avoid all possibilities of clashes between his own progeny and the appointed successor Ram Das, Guru Amar Das deemed it better that his children stay at Goindwal and Ram Das settle at some new place.The new pilgrim center lay amidst the villages of Sultanwind, Tung, Gumtala and Gilwali at that time in the pargana of Jhabbal. The acquisition of the site by the Sikh Gurus is told in different versions by different historians: That the land was granted by Emperor Akbar to Guru Amar Das as a token of thanksgiving for his conquest of the fort of Chittor, when he visited the Guru at Goindwal, enroute to Lahore, that it was acquired by Guru Ram Das before the grant was actually obtained or purchased by the Guru on payment of Rs. 700 from the Zamindars of Tung at the instance of Emperor Akbar, that it was presented by the people of Sultanwind to the Guru out of reverence.There are no contemporary or near contemporary records and documents confirming the testimony to any of the above statements.Whatever the version about the acquisition of the land, it appears that, originally, the site on which the temple stands was under the ownership of the zamindars of Tung village and later it was acquired by the Sikhs Gurus either on payment or free of cost.It is certain, however, that the land of the Hari Mandir was revenue-free land. The papers of the land settlement of Amritsar of the British period dated A.D. 1865 record the land of Darbar Sahib Guru Ram Das as revenue-free grant.The program of the new project was chalked out by Guru Amar Das and told to Ram Das. The latter was instructed to acquire funds for expenditure from Baba Buddha Ji. Some experienced, devout, elderly Sikhs were instructed to join Ram Das in carrying out the new project.The plan was executed by Ram Das under the counsel of Baba Buddha Ji. The inauguration was in traditional Indian style, with distribution of sweets after prayers. The Guru made his abode by the site. Laborers were engaged. Many Sikh devotees came to work for the project. Before the regular excavation work of the tank began, a sort of village settlement had grown. First of all, a boundary line of the settlement was laid on 5 Har Vadi 18, Samvat 1627 BK, A.D. 1570' and it was named Chak, Chak Guru, Guru Ka Chak, Chak Guru Ram Das, Ram Das Pura. These were the previous names of Amritsar. Kilns were laid and a number of hutments were built. Members of over 50 caste-groups from Patti, Kasur and Kalanur were called to settle here, to assure a regular supply of essential commodities. A market called Guru-ka-bazar was established. Wells were dug and a good many rich sarafs (bankers) and banjaras (traders) came to the growing town.The construction work of the tank and the town proceeded smoothly. But, while the work was in progress, Ram Das had to rush back to Goindwal at the call of the dying Guru Amar Das. The work was resumed on his return, after his pontification in A.D. 1577, and the construction of both the tank and the town was completed the same year.Then the Guru called the khatris (business community) and told them to take charge of the holy place. But they pleaded their inability to perform religious duties and requested the Guru to engage some brahmins and fakirs (mendicants) to perform the ceremonies. But the khatris sought the blessings of the Guru for kirt and barkat to pursue their professions.The Guru and his disciples were overjoyed on the completion of the new pilgrimage center. Guru Ram Das composed beautiful verses in the glory of the sarowar, making an injunction upon his followers to take bath in this holy tank and meditate here on Hari Nam (the name of God).Soon after its foundation, Amritsar became the center of Guru Ram Das's missionary activities and the headquarters of the Sikh faith.Amrit Sarowar remained enclosed in kachcha construction till Guru Arjan Dev ascended the gaddi in A.D. 1581. Then the tank was made pucca and the side stairs were bricked, but the bottom of the tank was still to be attended. The Sikhs showed great enthusiasm and devotion for seva (voluntary service) to complete the job. Construction work on the tank was completed in a short time. The successful completion of the project was attributed to the grace of God. Guru Arjan Dev expressed his thanksgiving in the words:God Himself hath come to fulfill the Task of the Saints Yea, He Himself hath come to do the Work. And, now, Blessed is the earth, the Tank and the Nectar with which it is filled...The tank was named Amritsar. The town also came to be called by the same name.While the tank was under construction, Guru Arjan Dev consulted Baba Buddha Ji and expressed his wish to raise a beautiful permanent structure in the pool of nectar. The plan of the present Hari Mandir was t'hen projected by Guru Arjan Dev. It was decided by the Guru to build the temple in the centre of the tank. The object of Guru Arjan Dev in planning the structure of the Hari Mandir in the middle of Amrit Sarowar was to combine both spiritual and temporal aspects, to represent a new synthesis of Indian thought, the combination of Nirgun and Sargun. The leaders of the Sikh community and the devotees of the Guru welcomed the new plan.The plan was executed under the direct control and supervision of Guru Arjan Dev assisted by Baba Buddha Ji, Bhai Gurudas and other devoted Sikhs. The Guru appointed his trustworthy followers, such as Bhai Salo, Bhai Bhagtu, Bhai Paira, Bhai Bahlo and Bhai Kalyana, to supervise the construction and arrange for building materials. The assignment of brickmaking was entrusted to Bhai Bahlo, an expert.According to early Sikh tradition, the foundation stone of the Hari Mandir was laid by Guru Arjan Dev himself. (A related story tells us that a mason accidentally displaced a brick, on which the Guru expressed the fear that the foundation would have to be laid again in the future. This incident is mentioned in the Sikh sources written after the reconstruction of the Hari Mandir, in A.D. 1764, and is carried up to the late nineteenth century.) The recorded account is that Guru Arjan Dev laid the foundation of Hari Mandir on Ist Magh Samvat 1645 (A.D. 1588). However, the later Sikh tradition holds that the foundation was laid at. the request of Guru Arjan Dev by a Muslim divine, Pir Mian Mir of Lahore, in Samvat 1645 BK (A.D. 1588). This version is based on oral tradition and is not supported either by the early Sikh sources or any of the Persian accounts, including the biographies of Mian Mir.The construction work of the new temple was undertaken with great enthusiasm. A large number of Sikhs participated in the work. Some of the Sikh devotees became legends and adorn the pages of the annals of Sikh literature. The solid foundation was laid on a level higher than the bottom of the tank with lime and bricks. Broad walls were built. A bridge connecting the temple with Darshani Deorhi (entrance gate) was constructed over the support of Surang Duraries (aqueducts) mehrabs and dats (arches).Instead of building the Hari Mandir on a higher level, as was the custom in traditional Hindu temple architecture, the Guru built the shrine on a level lower than the surrounding ground. The visitors have to go down the steps in order to pay homage to the holy shrine. The other distinguishing feature of the structure of the Hari Mandir is that, unlike the Hindu temples which usually have only one gate, the Hari Mandir was made open on all the four sides; representing open entry to all, a privilege which was denied in the Hindu temples. The construction of the temple was accomplished in a continuous process. Even while the work was proceeding apace, news about the ambitious project spread far and wide and pilgrims began to visit Amritsar in large numbers. All the devotees contributed a share from their earnings to the construction fund. Rich people offered huge donations. The masands (Guru's agents) collected funds for the project, from far and near.The tank and the temple rose in all the majesty of faith and beauty. Guru Arjan Dev sang a hymn to the glory of the holy place:The Guru hath perfected my Ablution, And, contemplating the Lord, my sins have been washed off.The Golden Temple radiates the selflessness of the voluntary services offered by the Sikhs. The honest and hard work of the disciples were duly acknowledged by the Guru. All the Sikhs who offered seva as worship were rewarded.Simultaneously with the construction of the temple, plans for the expansion of the town were taken up. The Sikhs were encouraged to settle in Amritsar. Consequently, the city became well populated.Some of the inhabitants and traders of Lahore did not appreciate the town plan of Amritsar. They scoffed at the idea of a city around a big tank in a low lying area and feared a great risk to the investment during the rainy season when the raised level of the water would penetrate into the localities and damage the habitations. The businessmen of Amritsar were alarmed. They approached the Guru and expressed their fears. The Guru assured them all protection and foretold the future prospects of the city. Guru Arjan Dev composed the following hymn setting out the attributes of the holy town:- Eternal is this eity of my Guru, my God.- Contemplating (herein) the Name, I have attained Bliss.With the construction of the Hari Mandir, Amritsar attained the status of Ath Sath Tirth. The fame of the newly constructed holy place spread far and wide. Local Sikhs visited the temple daily, while the Sikhs of nearby areas paid frequent visits. Those from afar came to Amritsar at least twice a year, on the occasion of Diwali and Baisakhi.The next remarkable development of the Hari Mandir was the compilation of the sacred writings of the Sikhs. Guru Arjan Dev collected the genuine bani of the first four Sikh Gurus, to which he added his own compositions, as well as selections from the writings of the Hindu bhaktas, and Muslim saints. The selection for the holy scripture was based on the principle of the unity of God and the brotherhood of Man. While Guru Arjan Dev was busy preparing the holy volume, it was reported to Emperor Akbar by the enemies of the Guru that the book of the Sikhs under preparation contained some passages derogatory to Islam and Hinduism. The Emperor called on the Guru at Goindwal, enroute to north towards the end of A.D. 1598, and asked to see the sacred volume. Some hymns were read out to the Emperor and he was so pleased with the contents that Akbar readily acceded to the request of the Guru to remit the annual revenue of the district zamindars, hard pressed by the failure of the monsoon.The successful intervention of the Guru earned him immense popularity with the Jats and zamindars of the area.The holy scripture was compiled under the title of Adi Granth. As there was no binder at that time at Amritsar, the holy scripture was sent to Lahore through Bhai Bano." The Adi Granth was completed and was formally installed in the Hari Mandir on Bhadon Sudi Ikam Samvat 1661 BK (August, 1604).Baba Buddha Ji was appointed the first granthi (head priest) of the temple. From that very day regular worship, kirtan and other religious services started at the shrine.Soon the Hari Mandir became the principal place of wotship for the Sikhs. What the Hari Mandir and Amritsar were to mean to the Sikhs is best expressed in the words of Guru Arjan Dev: I have seen all places; there is not another like thee...The Hari Mandir was destroyed by the Afghan invaders thrice (A.D. 1757, 1762 and 1764), and was finally rebuilt in its present shape and structure during the period of the Sikh misls (confederacies) in A.D. 1764. After the conquest of Sirhind on January 14, 1764, the Khalsa (Sikh Commonwealth) spread a sheet and collected offerings amounting to rupees nine lakhs.The amount was deposited with leading bankers of Amritsar, like Mohan Mal, Bhag Mal Lamb, Shayam Bhabra and Kalyana Pasi. Bhai Des Raj, a khatri of the village Sur Singh, Amritsar district, known for his integrity, was placed in charge of all finance for the project, so that the building of the temple and the tank could be completed on schedule. Bhai Des Raj was granted the seal of «Guru Di Mohar» by the Khalsa to collect funds. The Sikhs regarded this mohar as a hukumnama (despatch) from their Gurus.Construction work started under the supervision of Des Raj. This time the foundation of the temple was laid by Sardar Jassa Singh Ahluwalia on 1 1 Baisakh, Samvat 1821 BK (A.D. 1764). With the sustained efforts of the Khalsa, the construction of the Amrit Sarowar, the Hari Mandir, the bridge and the Darshani Deorhi was completed by Samvat 1833 BK (A.D. 1776). The construction of parkarma (circumambulatory) and religious places around the tank was completed by Samvat 1841 BK (A.D. 1784).The Golden Temple is not only a place of worship but also a rallying centre of Sikh solidarity. It is the heritage of the Sikh people gathered in their five-hundred-year-old history. Legends and miracles are connected with the holy tank, while great martyrdoms and triumphs are associated with various spots in the temple precincts.The story of the Golden Temple enshrines the romance of Man's quest for faith and ennobles the suffering and sacrifice of many. The undying impact of the quest is imprinted on the history, thought, literature and folklore of the Sikh peoples.The words of Guru Arjan Dev still hearkens: «Dithe sab thao nahi tudh jehia.»GURUDWARA BABA ATAL SAHIBGurudwara Baba Atal Sahib is situated to the south of the Golden Temple, about 185 metres from Sarai Guru Ram Das. The nine-storey octagonal tower, standing 40 metres high, is the tallest building in Amritsar.Originally a samadhi, or cenotaph, enshrining the remains of Atal Rai, a son of Guru Hargobind, the sixth Guru of the Sikhs, it was transformed, with the passage of time, into a gurudwara, because, in India, «the process of deification is aided by the tendency to develop the tomb raised over a man of eminence into a temple».According to popular tradition, Atal Rai, at the age of nine, restored his close friend Mohan, son of a widow, to life after his sudden demise. Guru Hargobind considered his son's act as being against the Sikh tradition and rebuked him for performing a feat involving a miracle and warned him that one's spiritual power should be displayed «in purity of doctrine and holiness of living». It is said that Atal Rai told his father that he would lay down his own life for breaking the law of nature by reviving his friend from the dead. So he went into a meditative trance and soon breathed his last. His pyre was lit on the bank of Kaulsar and, later on, to perpetuate his memory a monument was raised. Although Atal Rai died at the age of nine, he was honoured with the title of Baba, a grand old man, for the extraordinary powers he had displayed. The present nine-storey building represents the nine years of Baba Atal's life.Different authors have given different dates of its erection.~ However, it appears that the present structure was raised sometime in the last quarter of the eighteenth century, with repairs and renovations extended from time to time. The edifice is so designed as to have a double octagonal structure, one rising exteriorly and the other interiorly - the former also serving as circumambulatory. The storeys rising on the exterior and bigger octagonal base terminate at the sixth level, but the interior and smaller octagonal base supports nine storeys, allowing the three upper storeys, surmounted by a gilded dome, to rise considerably above the high point of the exterior elevation. The walls are so solidly built that a double staircase runs to the very top through the breadth of the wall itself, with a provision for entrance at each floor.There are four doors on the ground floor, one on each of the cardinal sides. However, the main entrance faces east. Within the interior octagonal elevation, also having four doors, is kept the Guru Granth Sahib, enshrined in a beautifully wrought brass canopy, surmounted by an exquisite chhatri. The doors are made of silver and brass with elegantly embossed designs. Brass plates embossed with figures recounting Sikh and Hindu themes are affixed in a set of three plates on each of the four outer doors. The embossed .brass sheets were presented by the devotees about the middle of the nineteenth century and after. A few of these bear names and addresses of the devotees and also the dates of presentation. The most typical and best specimens of the art of embossing on brass that thrived in Amritsar in the hands of craftsmen of Kucha Fakirkhana in the preceding century is seen in the plates embellishing the Baba Atal Gurudwara and one plate carries the trademark name of the craftsman.The interior walls of the first floor are adorned with murals. Unfortunately, many of these have been'obliterated beyond recognition and at present only 42 panels survive. A large series of paintings unfold, stage by stage, the life of Guru Nanak. The first painting in the series represents all the gods requesting the Almighty to send a holy person to earth to relieve it of the burden of Kali Yuga; and the last depicts Guru Nanak appointing Angad Dev as his successor to the Guru gaddi. Another series represents Sikh martyrs, including the four. sons of Guru Gobind Singh, who laid down their lives for the cause of their faith.Among the series of paintings pertaining to Guru Nanak, those depicting scenes from his childhood are of special interest. One of these, for instance, records a school scene, depicting Nanak, at the age of seven, commencing his education. Nanak, along with his father, Baba Kalu, is seated in front of the mullah, Kutbdin. Just at the start of the first lesson, young Nanak is seen explaining the meaning of the first letter to the mullah. Some of the pupils are waiting to show their phatti to the mullah, while others are either cleaning it or writing on it'.Murals in a considerably damaged state are also to be seen at the deorhi or the first entrance to the shrine. Large panels illustrate scenes from the life of Baba Atal and Guru Nanak; and the various stages of the battle of Muketsar. There are also two series of paintings: one, presenting the ten Gurus; and, the other, depicting members of the whole lineage of Baba Buddha Ji. Sri Chand and Lakhmi Chand, two sons of Guru Nanak, are also portrayed. A few damaged paintings are also to be seen on the front wall of tosha khana, the treasury, located adjacent to the tower.Michael Edwardes considers these murals to belong to the early nineteenth century. But there are two strong reasons that suggest a later date. First, no reference to Pandit Brij Nath, who appears in one of the paintings showing Guru Nanak being taught by him, is to be found in Janam Sakhis written before the early nineteenth century. Secondly, the calligraphic style of the Gurmukhi script seen in these paintings evidently relates to a later period. Therefore, these murals appear to have been executed in the last decade of the nineteenth century. It is believed that the muralist Mehtab Singh, born in 1871, executed these murals.Most of the personages portrayed in paintings, except Nanak, are presented in profile. Indian red, ochre and other earth colours, with frequent touches of gold, establishes the key to the colour scheme. A sense of perspective and foreshortening, though not perfect, gives the illusion of depth and volume. The figures are projected with the help of light and shade.The observations made here are based on a visit to the shrine in 1970. In 1971, the entire painted area was repainted in gaudy colours in a technique ill-suited to the old murals - all in the name of «renovation».The poor and the needy are fed and helped in the gurudwara of Baba Atal. Throughout the day, devotees come to pay homage, bringing prepared eatables to be distributed among whosoever is present in the shrine. This has made the following saying popular among the people, not only of Amritsar but of the entire Punjab: «Baba Atal Pakian Pakaian Ghal» (Baba Atal sends prepared meals).ART AND ARCHITECTUREThe study of the art and architecture of the Golden Temple has, unfortunately, remained a subject of unconcern for art historians and critics. Even scholars of Indian temple architecture have bypassed it and references, whenever made, were mere courtesies. Fergusson considered the Golden Temple an example of the forms which Hindu temple architecture assumed in the nineteenth century. According to the official list of buildings of interest, published by the Punjab Government in 1875, the design of the temple, as reconstructed by Ranjit Singh, was borrowed from the shrine of Saint Mian Mir, near Lahore. Louis Rousselet, writing in 1882, regarded it as a «handsome style of architecture». Major Cole described it as an adaptation of Mohammadan styles, flavoured with a good deal of Hindu tradition. Percy Brown considered it to be a product of the synthesis of Hindu and Muslim influences, combined with elaborations that imparted it an appearance of its own. In the opinion of Hermann Goetz, Kangra transformation of Oudh architecture was taken over by the Sikhs and evolved into that wonderful, though occasionally gaudy, Indian «rococo» art often seen in the gurudwaras of Punjab. The architectural prototype of the Golden Temple came into being as an idea combining the dharamshala and the tank envisaged by Guru Arjan, the son and successor of Guru Ram Das. Instead of building the temple on a high plinth in the Hindu style, Guru Arjan had it built in a depression so that worshippers had to go down the steps in order to enter it. Also it had four entrances, symbolic of the new faith which made no distinction between the four Hindu castes. Although there is no written record or contemporary sketch giving the concept of the prototype, it appears to have been, more or less, similar to the present structure dating from 1764, with the greater part of its decoration added in the early years of the nineteenth century. The year 1764 has been ascribed by H. H. Cole in his monograph on the temple .published in 1884. However, in Tawarikh Sri Amritsar, published in 1889, Giani Gian Singh states that the tank, the Hari Mandir, the causeway and Darshani Deorhi were completed in 1776.The main structure rises from the centre of the sacred pool, 150 metres square, approached by a causeway about 60 metres long. An archway on the western side of the pool opens on to the causeway, bordered with balustrades of fretted marble, and, at close intervals, there are standard lamps, their great lanterns set upon marble columns. The 52-metre square-based Hari Mandir, to which the causeway leads, stands on a 20-metre square platform. Its lower parts are of white marble, but the upper parts are covered with plates of gilded copper. In the interior, on the ground floor, is the Guru Granth Sahib, placed under a gorgeous canopy, studded with jewels. On the second storey is a pavilion known as Shish Mahal or Mirror Room, so designed as to have a square opening in the centre to view from there the ground floor, with the further provision of a narrow circumambulatory around the square opening.The interior of the Shish Mahal is ornamented with small pieces of mirror, of various sizes and shapes, skilfully inlaid in the ceiling, and walls richly embellished with designs, mostly floral in character.Further above the Shish Mahal is again a small square pavilion, considerably small both at its base as well as in its elevation, surmounted by a low fluted golden dome, lined at its base with a number of smaller domes. The walls of the two lower storeys, forming parapets, terminate with several rounded pinnacles. There are four chhatris or kiosks at the corners. The combination of several dozens of large, medium and miniature domes of gilded copper create a unique and dazzling effect, enhanced by the reflection in the water below.The typical art and architectural features of the Golden Temple can be summed up as (1) multiplicity of chhatris which ornament the parapets, angles at every prominence or projection; (2) the invariable use of fluted domes covered with gilded copper; (3) balconised windows thrown out on carved brackets or bay-windows with shallow elliptical cornices; and (4) enrichment of walls, arches and ceilings by various forms of mural art.Maharaja Ranjit Singh repaired the principal building in 1802 A.D. This act is commemorated by an inscription over the entrance to the central shrine, which reads: The Great Guru in His wisdom looked upon Maharaja Ranjit Singh as his chief servitor and Sikh, and, in His benevolence, bestowed on him the privilege of serving the temple.To roof the temple with sheets of gilded copper, he donated Rs. 500,000 and the work was executed by Mistri Yar Mohammad Khan, under the supervision of Bhai Sand Singh. The first plate on the temple was fixed in 1803 A.D. The personages who donated for the embellishment of the ceiling on the ground floor included Tara Singh Gheba, Pratap Singh, Jodh Singh and Ganda Singh Peshawari, the last of whom made his contribution in 1823 A.D. The archway under the Darshani Deorhi was embellished with sheets of gilded copper by Sangat Singh, the Raja of Jind. Being the central shrine of the Sikhs, almost every sardar of any pretension contributed to its architectural and decorative additions from time to time. That is why it is not feasible, except for a few date-inscribed works, to make a chronological account of the decorations, murals or other work, in the Golden Temple.The decorations which fall strictly in the category of mural painting are floral patterns interspersed with animal motifs. There are about 300 different patterns on the walls, which, from a distance, look like hung Persian carpets. The naqqashes, or painters, of these patterns had developed a terminology of their own to distinguish various designs. Among these the most prominent is known by the name of Dehin: a medium of expression of the imaginative study of the artist's own creation of idealised forms. Gharwanjh is the base of Dehin. This is also a decorative device involving knotted grapples between animals. In the Golden Temple are seen Ghawanj showing cobras, lions and elephants clutching one another, carrying flower vases in which fruits and fairies have been depicted. Patta is a decorative border design used around the Dehin and often depicted through creepers. There are also compositions based on aqdatic creatures.The only mural depicting human figures is to be seen on the wall behind the northern narrow stairway leading to the top of the shrine, representing Guru Gobind Singh on horseback. According to the late Bhai Gian Singh Naqqash, it was painted by a Kangra artist specially commissioned by Ranjit Singh for this purpose. It is said to be a true copy of a miniature painting that originally was in the collection of Raja Sansar Chand of Kangra, which Ranjit Singh had intended to get copied in the form of a mural in the Golden Temple. Since the artist of the miniature in question had already died, the mural was executed by the painter's grandson. The name of the painter, however, is not known.Paintings depicting mythological scenes referred to by H. H. Cole have entirely disappeared. Writing in 1878, W. Wakefield referred to erotic frescoes that covered the walls of the Golden Temple. However, in the absence of any other corroborative observation, his statement is of dubious value.In addition to the work that falls strictly under the category of mural painting, a great volume of similar work in allied arts, loosely coming in the range of mural arts, has been done in the Golden Temple from time to time. This includes the work in embossed copper, gach, tukri, jaratkari and ivory inlay.Most of the exterior upper portions of the walls of the Golden Temple are covered with beaten copper plates, heavily gilded. The raised decorations are mainly floral and abstract, but there are some panels representing the human figure. On the front side, for instance, are two embossed copper panels, the lower representing Guru Nanak flanked by Bala and Mardana, and the upper representing Guru Gobind Singh on horseback.Gach, a sort of stone or gypsum, was treated to form a paste and was applied on the wall like lime. Then it was fashioned out in designs with steel cutters and other implements. Gach work inlaid with coloured glass was known as tukri work and is to be seen in the second storey of the Shish Mahal. Jaratkari work involved the inlaying of coloured cut-stones in marble and is to be found on the lower portion of the exterior walls of the temple. In fact, the work is pietre dure and the inlay consists of semi-precious stones, such as lapis lazuli and onyx. The designs are Mughal in spirit, but the introduction of human figures, never shown in true Mughal decorations, reveals their Sikh origin.The ivory inlay work is to be seen only on the doors of the Darshani Deorhi. The gate is made of shisham wood, the front overlaid with silver, the back inlaid with ivory. The silver-plated front is ornamented only with panels. At the back are square and rectangular panels with geometrical and floral designs, in which are introduced birds, lions, tigers and deer. Some of the ivory inlay is coloured green and red, the effect being, in the words of H. H. Cole, «extremely harmonious.» Most of the painters and craftsmen, who worked in various branches of mural arts and its appurtenances in the Golden Temple, remained unknown. Therefore, barring a very few works, it is almost impossible, in the present state of our knowledge, to attribute them to particular painters and craftsmen. The late Bhai Hari Singh, himself an artist, prepared a list consisting of twenty names of painters and craftsmen who worked in the Golden Temple. This list serially included the names of Baba Kishan Singh, Baba Bishan Singh, Kapur Singh, Bhai Kehar Singh, Mahant Ishar Singh, Bhai Sardul Singh, Bhai Jawahar Singh, Bhai Metab Singh, Mistri Jaimal Singh, Bhai Harnam Singh, Bhai Ishar Singh, Bhai Gian Singh, Lal Singh Tarn Taran, Bhai Mangal Singh, Mistri Narain Singh, Mistri Jit Singh, Bhai Atma Singh, Baba Darja Mal and Bhai Vir Singh. A good deal of the old work, particularly mural in character, has disappeared from the precincts of the Golden Temple. Initially, the disappearance of murals started at the close of the nineteenth century, when devotees were permitted to present contributions in the form of inlaid marble slabs, which were fixed on the walls painted with frescoes. The old Bungas of the Golden Temple, which have been demolished, were repositories of splendid paintings. Inside the main Darshani Deorhi, where marble slabs have been fixed, there were fine paintings by Mahant Ishar Singh.Efforts have alsq been made to renovate the decaying paintings in the, temple proper. But there appears not much reason to regret the loss, because, in the words of Michael Edwardes, the Golden Temple «is a symbol, glowing in richness and colour. That richness has, over the years, been constantly renewed, not always perhaps in the best of taste. But the Hari Mandir is not a museum. On the contrary, it is a shrine, part of the essential machinery of a living faith.»AKAL TAKHTThere is no evidence to show exactly when the Akal Takht was built. From the amplitude of the near cantilever projection of the semi-circular platform onto a large square below, the throne of Akal seems to be a highly dramatised Durbar hall larger than that built by any Mughal Emperor in Delhi or Agra.It is quite likely that, fighting from a temporal and spiritual kingdom placed in the heartland of Punjab in Amritsar, the Guru, who put on two swords, that of the faith and of the emergent Sikh kingdom, had it built to give audiences to his followers.At any rate, the convention seems to have been established to address all important gatherings, religious, social and political, from the Akal Takht to the amphitheatre below. This became the practice certainly during the important Gurpurbs, or the birthdays of the Gurus, when a vast congregation would assemble to hear recitations from the scriptures. The elaboration of the structure on marble pillars, as a semi-circular platform with an open view to the courtyard, reminiscent of an air-house, must have grown from the use to which the Durbar hall was put.The gilding of the ceiling with ornamentations like those in the interior of the Hari Mandir is perhaps later than in the holy of holies. The wall paintings apparently belong to a later period, as there are panels showing Europeans.The total effect of the Akal Takht is of a unique and noble structure spread out somewhat like an outer court of the piazza Saint Marco in Venice.
Коментари: 0 Разглеждани: 622 Група: History of Indi...